Posts tagged ‘garganega’

A Stunning Garganega

Garganega is the grape of Soave and gives to that wine its body, acidity and structure and well as wonderful aromatics of honeydew melon, pear and yellow flowers. While many examples of Soave are steel aged, some vintners age their wines in oak casks, yet most of these wines have relatively similar profiles that emphasize the brightness of the Garganega grape.

I just tasted a wine made entirely from the Garganega grape that turns everything you thought you knew about the variety and its resulting wines on its head. It’s from a artisan producer named Dama del Rovere, managed by Massimo Prà. Located in the hamlet of Brogoligo di Monteforte d’Alpone in the eastern reaches of the Soave Classico zone, the winery was established by Prà in 2003.

Prà works only with the Garganega grape and produces sparkling Durello from the hills near Soave along with a traditional Soave Classico, named “Tremenalto”. The 2009 is the current release and it is nicely balanced with fresh melon and pear perfumes backed by lively acidity and good depth of fruit. It is a typical Soave and a fine example of the quality of this zone.

But it is the 100% Garganega bottling he calls “Spinaje” in which Prà really displays a uniqueness rarely seen with the variety. The 2006 is the current bottling and it is identified as an IGT Veneto Bianco, as this is not anything like the Soave Classico he produces. The grapes are from vineyards in Monteforte d’Alpone, ranging from 10 to 76 years of age; after manual harvest, Prà lets the grapes dry naturally in the appassimento manner for several months; this is the same drying process as is used for Amarone as well as the sweet Recioto di Valpolicella and Recioto di Soave.

The wine is then partially fermented in various sizes of French oak for approximately twelve months and is then bottled. The result is something truly special, which you note with one glance at its color, a brilliant orange/amber. Not knowing anything about this wine before I tried it a few nights ago, I thought that given this was a wine from the 2006 vintage, I must have received a flawed bottle, given its deep color. Boy was I wrong!

The wine features aromas of Bosc pear, dried honey, a hint of pineapple and wheat germ (!). Medium-full, the wine has a dry, clean finish with very good persistence, pure fruit flavors, good acidity and notes of sweet brown spice. What I love most about this wine is its remarkable freshness; many white wines that have undergone appassimento often have a dried, slightly oxidized character to them, almost like an older sherry. Not so with this wine, which tastes much younger than its age. I expect this wine to drink well for another 3-5 years, perhaps longer.

Dama del Rovere is one of thirteen producers of Soave that has joined together in an organization called Vignaioli del Soave, whose stated goal is to “restore the dignity” of Soave to consumers. Other producers include such renowned estates such as Pieropan, Inama and Ca’ Rugate; on the website, you can learn more about this organization in general as well as each specific producer. While the “Spinaje” from Dama Del Rovere may not technically be a Soave Classico, it shares the same base material. It’s how Massimo Prà used the Garganega grape to fashion such a remarkable wine that is the story here; a new wine from an ancient variety.

December 1, 2010 at 1:08 am 5 comments

Pieropan – Top 100

Leonildo Pieropan (Photo ©Tom Hyland)

Soave has several identities, from simple sipping wine to a long-aging white with distinct minerality and outstanding complexity. Unfortunately too may consumers only associate Soave with the first description; yet the truth today is that there are dozens of the area’s producers that are crafting glorious bottlings. First and foremost among those is Leonildo Pieropan.

The Pieropan family has winemaking roots in the Soave area from 1890; here at their palazzo in the town of Soave, Leonildo Pieropan, Senior, was creating the lovely dessert wine, Recioto di Soave. Today his grandson Leonildo is considered one of the stalwarts of this area, working “with the precision of a Swiss watch,” as written in a brief introductory text in Duemilavini, the wine guide of the Association of Italian Sommeliers (A.I.S.).

While Pieropan produces two special bottlings of Soave, there are many who will tell you that his Soave Classico normale bottling is his finest; it certainly is his most representative everyday Soave offering. It is produced from 85% Garganega and 15% Trebbiano di Soave in most years and offers textbook aromas of honeydew melon and yellow flowers backed by lively acidity and a touch of minerality. It is beautifully balanced and has excellent complexity; all of this is especially nice, considering the $15 retail price in America (and I’ve seen it for less in some areas.)

There are two other special Soaves made at Pieropan; Calvarino and La Rocca. Calvarino, produced from an estate vineyard of volcanic soils, is 70% Garganega and 30% Trebbiano di Soave; Pieropan has opted for this blend as it was a typical one from decades past in this area. The wine receives no wood aging, as Pieropan opts to let the perfumes of the varieties emerge. This wine ages beautifully, usually drinking well for 10-12 years. I recall tasting the 1989 bottling at the winery in 2006 – it was sublime!

La Rocca, also made from a single vineyard (the oldest vines here are 50 years old), is 100% Garganega that has been aged in mid-size and large barrels for one year. This is a lush, almost fat Soave with great concentration and a well-structured finish. This is also a wine for cellaring; generally the wine is at its best from 10-12 years of age. This is a very individualistic bottling, yet it is without doubt a Soave; today there are a few other producers in the area that have used La Rocca as a model for their top offering.

What strikes you about each of the three wines is the combination of richness, yet at the same time elegance. While the La Rocca is a very powerful rendering of Soave, it never goes over the top, maintaining its finesse. This is an admirable quality, and one that certainly matches the character of Leonildo Pieropan, a confident, assured individual, who is also down to earth. I met with him at this year’s VinItaly wine fair and was impressed by his easy-going, charming ways. I spoke with him about the refined qualities of his wine and he replied with a quote that I think befits his winemaking philosophy quite well. “Elegance is one of the most difficult qualities to transmit in a wine. But when you understand it, it is the one that brings the greatest pleasure.” A lovely thought and one I think many other wine producers believe in as well; yet I’ve never heard it professed as eloquently as I have from Leonildo Pieropan.

There is also a stunning example of the famed dessert wine, Recioto di Soave, that Pieropan labels Le Colombare. A few years ago, Pieropan opted to produce local red wines as well; the first effort a wine called Ruberpan, an IGT blend of Corvina, Rondinella and Croatina from the Val d’Illasi hills. Now comes the exciting news that he has added Amarone to his production. I tasted the inital 2006 release (this will be available in the autumn of 2010) and as you might expect, this is a rich, yet restrained offering of this famous Venetian red. There’s that elegance again, this time in a wine most people think of as powerful. But as this was made by Leonildo Pieropan, would you expect anything else?

June 1, 2010 at 8:32 am 1 comment

The Charm of Italian Wines

 

Bottle of Ceretto Barolo with the town of Castiglione Falletto in the background (Photo ©Tom Hyland)

Bottle of Ceretto Barolo with the town of Castiglione Falletto in the background (Photo ©Tom Hyland)

 

 

I’ve written quite a bit about specific Italian wines, from Piemonte in the north to Sicilia in the south, but today I thought I’d step back a bit and discuss the unique characteristics of Italian wines in general. I hope you enjoy this post! - TH

 

 

What makes Italian wines so fascinating? There are many explanations, but for me the primary reason is the fact that Italian wines are unique, a world apart from the follow-the-leader- wines being produced by so many estates today, eager for consumer acceptance.

The world of wine is becoming homogenized these days. Just look at the most famous offerings from France and California and you’ll discover that they are made from the same six varietals: Cabernet Sauvignon, Merlot, Chardonnay (the chocolate, strawberry and vanilla of the wine world), Pinot Noir, Sauvignon Blanc and Syrah. I’m not forgetting about Zinfandel from California or Gewurztraminer, Riesling or Pinot Gris from Alsace in northeastern France, but they take a back seat in the press and in retail selections to the previously mentioned six.

 

Now think about the countries around the world that have become a major force in the wine world over the last decade. Countries such as Australia, New Zealand, Chile, Argentina and now South Africa. What grapes are their most famous wines made from? You guessed it- the Big Six. You can’t blame the producers in these countries for taking the lead of France and California, as success breeds success. What will a winery in South Africa have a better chance of selling to the American public – Pinotage, which is a local specialty or Cabernet Sauvignon? If you don’t know the answer to that, say hello to Santa Claus for me this Christmas as he comes down your chimney.

 

Vineyards in the Greco di Tufo zone, Campania (Photo ©Tom Hyland)

Vineyards in the Greco di Tufo zone, Campania (Photo ©Tom Hyland)

That’s what makes Italy so special in the world of wines. Producers in Campania might be able to make a name for themselves if they planted Chardonnay, but they continue to craft lovely white wines from grapes such as Greco, Fiano and Falanghina. The same holds true for the vintners of Abruzzo, who are beginning to see the intricacies of the Montepulciano grape and are creating more complex versions that more consumers want as they move away from quantity and towards quality.

This is not to say that international varieties (such as the Big Six) are not planted in Italy. Tuscany has adopted them in some of their most lavish bottlings (the so-called Super Tuscans often contain Cabernet Sauvignon and/or Merlot in large proportions) and there are thousands of acres of Chardonnay and Merlot in the Veneto that are used for inexpensive bottlings. But international varieties are not what Italy does best; it is the indigenous varietals that represent the heart and soul of Italian viticulture.

Try a Soave made from the Garganega grape planted in vineyards in eastern Veneto. When made by an artisan producer, this is one of the country’s loveliest whites with aromas of honeydew melon, pear and lilies and offering beautiful texture and a light note of minerality in the finish. Or go with a Pecorino (yes, the wine, not the cheese) from Abruzzo or Marche. This grape yields a lovely dry white with flavors of peaches and cream that is lovely for pasta primavera or white meats such as chicken, veal or pork.

One of the most interesting native red varietals in Italy is Dolcetto from Piemonte. While too many wine publications focus on the famous Piemontese red wines made from the Nebbiolo grape (Barolo and Barbaresco), the natives pay a lot of attention to Dolcetto. This is the everyday red wine in the same locales where Barolo is produced and it is a great choice for lighter pastas and meats. The Barbera grape, the most planted grape in this region has plenty of spice with naturally high acidity. Vintners are experimenting with this varietal today, with versions ranging from the traditional, high acid, rustic styles (perfect for salumi) to riper, more oaked, slightly less acidic versions that stand up to roast veal and pork.

The best way to experience these indigenous varietals is with food. The publications that are obsessed with scoring wines on a 100-point system miss the point as their scores represent a bigger-is-better approach. If you truly believe that concept is true, then awarding a wine points might make sense. But as a winemaker once told me, “Bigger isn’t better, it’s different.” Or as a winemaker in Soave told me recently, “There are wines for tasting and there are wines for drinking,” In other words, some wines are just better with food because the winemaker isn’t interested in power or making the wine as rich as possible, but instead is interested in balance and finesse. The better balanced a wine is – white or red – the more foods it can accompany. And isn’t that why we drink wine in the first place? A humble Primitivo from Puglia that sells for $10-12 per bottle may not stand up to prime rib, but drink it with a slice of pizza or spare ribs and you’ve got a great partnership and one that brings pleasure.

There are literally hundreds of indigenous varietals from the entire country – far too may to mention here, even if I knew all of them. Fact of the matter is, no one in Italy knows all of them either; it turns out that varietals thought to be extinct are being discovered in vineyards from Piedmont in the north to Sicily in the south. But that’s the charming thing about Italy and its native varietals; there’s always something new – and different – out there for our pleasure.

 

Vineyards in Alto Adige (Photo ©Tom Hyland)

Vineyards in Alto Adige (Photo ©Tom Hyland)

September 11, 2009 at 2:42 pm 2 comments


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