Posts tagged ‘the italian village’
Learning how to pair distinctive Italian wine and food with a chef and wine director at Vivere, Chicago
I’ve moderated numerous seminars and taught many classes on Italian wines over the past decade and one question that always comes to the forefront is “what foods should I pair with this wine?.” It’s a great question, not only given the relationship of food and wine in general, but especially given the nature of Italian wine and its link to a specific sense of place and the local foods that pair effortlessly with these wines.
It’s a subject that has many right answers (and very few wrong ones) and it’s one that I never tire of studying. Given that there are hundreds of indigenous varieties used throughout Italy, which are used to produce thousands of wines, well you can just imagine the endless array of flavors – as well as textures and acidity levels – in these wines. A medium-bodied red such as Dolcetto with its fruit forward nature is going to need an entirely different food than a Barolo with its firm tannins. And these are two wines that are often produced from vineyards only a few miles apart in Piemonte! Now think about the red wines from southern Italy, such as Puglia or Campania and you have a whole new set of variables. As I said, this is an endless journey; but it’s also one that brings a great deal of pleasure into one’s life.
Ian Louisignau, Wine Director, The Italian Village, Chicago (Photo ©Tom Hyland)
So to learn more about the subject of pairing Italian wines and food, I went to see my friend Ian Louisignau, wine director at The Italian Village Restaurants in the heart of the Loop in downtown Chicago. Ian took over this job last year and has continued the stellar tradition of an exceptional wine program at this long-time family owned restaurant.
So I brought four Italian wines – two whites and two reds – that were not sold at the restaurant and asked him to pair them with something off the menu at Vivere, the upscale dining room at The Italian Village (there are also two less formal dining rooms at The Italian Village: La Cantina and The Village.) I thought that by bringing in wines Ian had not tasted, he would have to come up with an original pairing – this wouldn’t be a wine and food match that he makes all the time. I loved doing this and I believe Ian did as well, so here are his thoughts on what to match with each wine.
2011 Le Caniette Passerina “Lucrezia” (the label of this wine is pictured at the beginning of this post) – I thought this would be a great, slightly offbeat way to begin, by tasting out this relatively rare white indigenous variety from southern Marche. This is an excellent example of this wine; medium-full with aromas of dried pear, orange blossom and biscuit, this has lovely texture and a rich finish with a note of honey. Aged only in steel tanks, this has very good acidity and offers a great deal of character for its moderate pricing (about $12 retail, a steal!).
Ian (and his chef Robert Reynaud, who was with us for a few minutes), suggested the Spiedino di Capesante, rosemary skewered scallops with lime braised fennel, crisp romaine and yellow tomato purée (my mouth waters even as I write about this!). As the Passerina is not a big wine, scallops are ideal for a dry white such as this and certainly the aromatics of the wine are nicely complemented by the lime braised fennel. A nice start and an intriguing match!
2010 Villa Raiano Fiano di Avellino “Alimata” – Here is one of two cru offerings of Fiano di Avellino from this excellent Irpinian producer; this wine was awarded the coveted Tre Bicchieri ranking from Gambero Rosso in their 2012 guide. This is a very impressive Fiano with flavors of lemon and Bosc pear and a very, very long, satisfying finish with notes of honey and minerality; it is drinking beautifully now and will be enjoyable for another 3-5 years. To pair with this wine, Ian selected Granchio e Astice Freddo - jumbo lump crabmeat and Maine lobster with a tarragon emulsion, toasted brioche and micro arugula. I think this is a great pairing, as not only are the flavors of the crab and lobster ideally suited for Fiano, but you also have the slight earthiness of the wine’s finish that is picked up by the bitterness of the arugula.
2005 Falalone Primitivo Riserva – This wine from the Gioia del Colle zone, one of the great growing areas for the Primitivo grape in Puglia is a robust (15% alcohol) red with plenty of character as well as a slight rustic edge. It’s a big, gutsy wine, but it’s elegant with subtle wood and balanced tannins. For this wine, Ian suggested two different options. The first was Pappardelle with wild boar ragu; the second, Cannelloni di Vitello, crepes filled with braised veal breast, fava beans and pickled red onions. Two excellent choices here, given the power of this wine as well as its hearty character; the wild boar is a natural for the assertive flavors of Primitivo.
2006 Batasiolo Barolo “Vigneto Boscareto” – The final wine was a cru Barolo from the commune of Serralunga d’Alba from Batasiolo, a consistent producer with an impressive track record for single vineyard Barolo. This is from the classic 2006 vintage, a year that resulted in very rich Barolos that are tightly wrapped and need several years to reveal greater complexity. This Boscareto from Batasiolo is not as intense as some 2006s, but it is a big wine with plum, cherry, myrtle and tar flavors with medium-weight tannins; while it will be at its best in another 12-15 years, it is balanced enough to pair now with the proper foods.
For this wine, Ian opted for Maiale con Speck, pork tenderloin wrapped in speck, potato carrot purée, brussel spout leaves and a balsamic glaze. This is a lovely match, a dish that has the richness of the pork tenderloin to stand up to the fullness of this wine along with the earthiness of the carrots and brussel sprouts that pick up on the tannins and render them more elegant (carrots and turnips are great to serve with a young, tannic red as they make the wine seem less tannic- this, a tip I picked up from a winery chef years ago).
So there you go, class dismissed. I hope you learned a few things about pairing particular Italian wines with Italian foods. If you’re ever in Chicago, dine at The Italian Village and you’ll have a wonderful experience learning about this subject. Hopefully Ian will be there to answer your questions – you’ll learn a lot!
1961 Fontanafredda Barolo
On Tuesday night in Chicago, on a day where the high temperature reached a tick or two above 100 degrees, I hosted a Barolo dinner at Vivere Restaurant at The Italian Village. The fact that the dinner was sold out is not only testimony of the passion of the wonderful people who attended, but also primary evidence of the everlasting allure of Barolo. This would turn out to be a magnificent evening!
The dinner featured ten different Barolos from my own cellar; these were wines I had brought back from my frequent trips to the Barolo zone over the past decade. Wine director Ian Louisignau and I whittled down my original list of 15 wines to ten, focusing primarily on vintage comparisons, as we would have two Barolos from vintages such as 2008, 2007, 2006, 2004 and 2001 and then finish with one from 1996 and finally a 1961. Each of these vintages was excellent, some outstanding and one (1961), legendary.
I mentioned to the group that what made Barolo so special for me is its uniqueness. We can taste a Napa Valley Cabernet Sauvignon and compare it to a classified growth from Bordeaux. We can sample a Pinot Noir from the Santa Lucia Highlands in Monterey or from Central Otago in New Zealand and note the similarities or differences to a Burgundy from the Cote d’Or. But we can’t do that with Barolo, unless we were to compare it with Barbaresco, another great 100% Nebbiolo wine produced not far away. Barolo then, is its own reference point and the finest examples reflect both a singular varietal identity as well a particular sense of place.
Detail of Lazzarito Vineyard, Serralunga d’Alba, with snow-capped Alps in the background (Photo ©Tom Hyland)
The notion of terroir is an important aspect for understanding Barolo. There are two major soil types found throughout the eleven communes that comprise the Barolo zone and knowing what these soils are and where they are found can help one learn about a sense of place with these wines. The older soils, known as Helvetian, are found in Monforte d’Alba, Serralunga d’Alba and Castiglione Falletto, while the younger soils, known as Tortonian, are found in communes such as La Morra, Verduno and Novello. As the older soils are thinner, the resulting wines have firmer, more intense tannins as compared with wines from the younger soils, which have more pronounced floral aromatics. Thus a wine from La Morra with younger soils is generally a more approachable Barolo upon release in comparison to one from Monforte or Serralunga, where the heavy duty tannins (in most years) mandate several years of aging before the wine starts to settle down.
This contrast was clear in the first pair of wines, both from 2008: the Ceretto “Brunate” and the Elio Grasso “Gavarini Chiniera.” The Ceretto, from one of the most highly regarded crus in all of Barolo, is a lovely wine with beautiful fresh cherry perfumes and flavors and elegantly styled tannins, while the Grasso from a site on this family’s own estate in Monforte, was more tightly wound with a stronger backbone and firmer tannins. Both wines are beautifully made and perfectly illustrate the terroir of Barolo. Each wine should peak in 12-20 years, with the Grasso probably going a few years beyond that.
Before I move on to the next wines, I want to talk about the meal at Vivere. I have dined here more than a dozen times, always knowing I would enjoy a first-rate meal. What was great about the special menu for this Barolo dinner was that Chef Robert Reynaud assembled a menu as you would find in a trattoria or osteria in the Barolo area; this was not just any old meal put together at the last minute. A lot of thought went into this, as we enjoyed vitello tonnato with caper berry for the first two wines, tajarin with albese sauce with the next two wines, risotto al Barolo with figs with the third pairing of wines, hazelnut crusted ribeye with fontina fonduta with the 2001 Barolos and finally a selection of Piemontese cheeses with the 1996 and 1961 Barolos. Eveything was excellent, with much great praise for the outstanding risotto dish. How wonderful to show off these wines with great Piemontese cuisine!
The next wines were from 2007, the Elvio Cogno “Ravera” from Novello and the Attilio Ghoslfi “Brunate Bricco Visette” from Monforte. These wines displayed not only differences as far as terroir, but also in winemaking philosophy, as the Cogno is a traditional wine, quite lovely with a sensual edge, while the Ghisolfi is aged in barriques; indeed there was more evident oak with this wine, yet there was also very impressive depth of fruit. I enjoyed both wines, but gave the edge to the Cogno, especially as this wine displayed better overall balance as well as finesse.
Roberto Voerzio Barolo Brunate
Next came the 2004 Barolos. As I prepared my notes for this dinner, I took a look at my text about this vintage, which I wrote in the summer of 2008, when these wines were released. I asked if 2004 was the finest Barolo vintage of the last fifteen years and while 1996, 1999 and 2001 were all great vintages, I mentioned that “I’d never had such a collection of Barolos that were this good this young.”
The wines we tasted from 2004 were the Barale Fratelli “Canubi” and the Roberto Voerzio “Brunate”; this pairing an excellent contrast in style as well as weight. The Barale was a medium-full wine with lovely plum fruit that seemed a bit simple at first, but became more complex as it sat in the glass. The Voerzio was a powerhouse wine that offered tremendous depth of fruit, as well as having a great backbone. Voerzio, who uses barriques for his Barolo, has stated that after six to eight years in the bottle, the sensation of the smaller oak vessels fades and you’re not able to tell the difference between small or large oak barrel-aged wines. This did still have a touch of new oak sensation in the nose, but it was slight and not obtrusive; meanwhile the nose was still a bit closed, with hints of cherry and currant fruit emerging. But given the structure and impressive complexity, this is clearly a superb wine, one that can aged for another 25-30 years, when it will truly become great.
The next two wines were from 2001, a great vintage that produced powerful wines with excellent depth of fruit and firm tannins. The Vietti “Brunate” was a superior effort, especially in its elegance and polish; this was a wine that spoke of its origins with its gorgeous aromas of plum, cherry and roses. There are medium-weight, ultra smooth tannins and precise acidity. This is a wine of great finesse that a few of the diners thought was the wine of the evening (at least to that point, see the notes on the 1961 Fontanafredda below).
The other 2001 was the Fontanafredda “Lazzarito”; this a favorite Barolo of mine for many years. Medium-full, this offered power and impressive structure with firm, balanced tannins. This was not as supple as the Vietti, but again, consider terroir in this instance, as this is from a superb site in Serralunga d’Alba that results in wines of very rich tannins, so rich that the winery releases this wine almost a year after their other offerings of Barolo from the same vintage. What I loved about this wine was not only the balance, but also the freshness. This is a wine that should peak in another 15-20 years. 2001 was a great vintage and these two wines were memorable proof of that!
Our last two wines were from stellar vintages. The 1996 Poderi Colla “Dardi Le Rose Bussia” is a stunning wine with intense aromas, a powerful mid-palate and still youthful tannins and a finish with outstanding persistence. 1996 was a great, great year, a vintage that was a classic for Barolo, yielding wines that were truly Piemontese in style – that is, tightly wound and not as immediately approachable as international years such as 1997, 2000 or 2007. This Colla offering from Monforte d’Alba is a great wine now and one that will only improve for another 25-40 years. It’s that special.
Finally we came around to the wine everyone was waiting for, the 1961 Fontanafredda. While this was not a cru Barolo in the technical sense – single vineyard Barolos were not common until the late 1970 and early 1980s – this was a wine of exceptional breeding, sourced from the winery’s finest vineyards. 1961 was not just a great year for Barolo, it was a monumental year – Renato Ratti in his rating of Barolo vintages called it “majestic” at the time – and without doubt one of the ten finest vintages of the 20th century. What made this growing season so special was the notable warmth in the summer, as temperatures approached 100 degrees F. While this has been happening more often during the past fifteen years due to climate change, such hot temperatures were not normal back then. Combine that with the traditional winemaking style throughout Barolo at that time where wines were rather closed and a bit backwards upon release, and you have the makings of a wine that would improve slowly over the course of its life, a time span that would last for at least four or five decades.
Well, here we were, 51 years later and the wine was stunning! I had acquired the one and only bottle I had of this wine at the winery some five or six years ago. I placed the wine immediately in my cellar upon returning home and had only moved it twice in five years: once, a few months ago as I was planning this dinner to see if the wine was still in good condition (it was, as the fill was excellent) and once, last week, when I took all the wines to the restaurant to let them rest for a week.
Wine Director Ian Louisignau waited until the last minute to open this wine and when he showed me the cork, I had a huge smile on my face, as the cork was in one piece and offered lovely aromas of fruit. The wine had the color of a five year old Barolo – deep garnet – not one that was 51 years old. The aromas were unbelievably fresh with notes of red cherry, tar and currant with some delicate spice and the mid-palate was quite generous and well developed. The tannins were still quite evident and unbelievably polished and the finish, as graceful as one could imagine, seemed to go on forever. This was a wine I had kept for years for just this occasion and it not only met my lofty expectations, it exceeded them (and I believe everyone else’s, judging from the comments I heard.) I would wager a guess that this wine has at least 12-15 years of life ahead of it- perhaps longer.
Tasting a wine such as this lets you know that great bottles of Barolo have been produced for fifty years and more; great Barolo – indeed, great Italian wine – did not start in the 1970s, despite what certain wine publications may tell us. My how the farmers and winemakers throughout Barolo knew what they were doing back in 1961 and that era! My final thoughts on the 1961 Fontanafredda Barolo are these: I have tasted several thousand bottles of Barolo over the past decade; simply put, this was one of the three or four best examples I have ever experienced.
I touched the tip of the iceberg of my Barolo collection for this and I hope to organize another dinner such as this in the near future. Here’s hoping that next one comes close to the wonderful experience this one offered!
P.S. One final shout out to everyone at Vivere for their help, from manager Fred Ashtari for his organizational skills to Chef Reynaud for his superb menu, to our excellent waiter Ryan and of course, for all of his work, wine director Ian Louisignau. He decanted most of the wines about 90 minutes ahead of time and even more importantly, served them at the proper temperature. He also served various shapes ands sizes of stemware, which made it easy for all of us to remember which wine was which. Having great wines is one thing, but if they’re not treated properly, something is lost in the translation. Thanks, Ian, for your help and professional service!