Posts tagged ‘piero mastroberardino’
Piero Mastroberardino (Photo ©Tom Hyland)
My recent 18-day trip to Italy was filled with so many great wines; this is part two of my report, focusing on the best whites I tried from Campania.
One important thing that the newly released 2012 whites from Campania and other great white wine regions such as Marche and Alto Adige (I’ll review these whites in my next post) have is their amazing quality, as 2012 is an excellent, even outstanding vintage for white wines not only in these areas, but all throughout Italy. I’ll write a post about this vintage soon; it really is amazing, but I’ve had 2012 whites from Piemonte and Umbria – regions better known for red wines – that are first rate and among the best I’ve tasted in recent years from these areas.
So imagine how good the 2012 whites are from zones such as Greco di Tufo and Fiano di Avellino in Campania. Ironically, it didn’t seem as though 2012 was going to be much of a year at all for distinctive whites, especially early on, as the warm temperatures rushed ripening a bit. But according to several producers I spoke with there, rains in September slowed things down and allowed more hangtime, thus resulting in wines of more pronounced aromatics and better natural acidity, as compared to 2011, a very nice, but not great vintage (the 2011 whites are rich and slightly more alcoholic, so they grab your attention, but as a rule they will not age as long as they are not as well structured).
Now on to the wines. I have just written an article on Campanian whites for the 2014 Italian supplement to Decanter magazine in England, so you will be able to read a more detailed analysis of some of these wines when my text is published in February. For now, I will offer a few brief thoughts on a few of the best I tasted, starting with the 2012 Greco di Tufo from Feudi di San Gregorio. There has been a lot of excitement at this esteemed firm over the past several years, as proprietor Antonio Capaldo has been investing in a great deal of research in vineyard and cellar work, bringing in Pier Paolo Sirch to ideintify the finest lots of Greco, Fiano and Falanghina (I tasted one single vineyard offering of Falanghina – a wine that will not be released on the market – and was excited to taste such a distinctive wine, one with great persistence and ideal harmony with this variety. Falanghina has been a very successful wine in many markets over the past few years; I think we are on the forefront of greatness with this wine).
The 2012 Serrocielo Falanghina from Feudi is a solid 4-star (excellent) wine, displaying distinct aromas of green tea and chamomile along with notes of lime and melon. The Pietracalda Fiano from 2012 offers inviting perfumes of lemon peel and pineapple; there is also distinct minerality and a lengthy finish. The Cutizzi Greco di Tufo, which I have reviewed in the Decanter article is one of the finest produced to date, but the real surprise here is the classic Greco di Tufo from 2012. Capaldo has begun a new program of single vineyard offerings, beginning with the 2012 vintage. He decided to start with Fiano, while the best sites for Greco were blended into one wine. This is as good an entry level Greco di Tufo as you will find, with lemon zest, Anjou pear and lemon zest aromas along with a touch of almond. Offering a rich mid-palate and notable persistence, this is a delightful wine for clams or other shellfish and is a wonderful value, given the $22 retail price (approximate) on American shelves (the wine is just coming into the market, so it may be another month or so before you find it. Palm Bay is the importer).
Mastroberardino, is of course, the most historic winery in Campania and the one that made today’s explosion of Greco and Fiano possible, thanks in great part to the work of Antonio Mastroberardino in the late 1940s and early 1950s, when his work in the vineyards helped save the varieties. His son Piero, current managing director of the firm, has respected his father’s efforts and has expanded upon them; the lineup of white wines from Mastroberardino these days is outstanding.
Please take note of that last sentence; yes, the white wines from Mastroberardino are first-rate. Everyone knows that the winery has become world-famous for its magnificent Taurasi, a version that one would have to designate as the standard bearer for this wine. It’s so famous that their whites are routinely overlooked; one could understand that ten or fifteen years ago, as the Mastroberardino whites back then were well made with good varietal character, but over the last decade or so, the wines have taken a noticeable leap in quality. Much of this is due, as Piero has told me numerous times, to the acquisition of new vineyards in various zones along with implementation of planting the best clones at these sites.
Briefly, the Mastroberardino 2012 whites are flawless, most notably the elegantly styled Greco di Tufo “Nova Serra” and the tantalizing Fiano di Avellino “Radici” (the favorite white of Piero from this vintage). Both wines have gorgeous varietal purity and the overall harmony is just beautiful. But I also need to mention the absolutely delicious Falanghina “Morabianca” from 2012; this is a relatively new project for the winery, as Piero and his team have planted this variety in Irpinia and not in Benevento, which is where many local producers source their Falanghina. This has an added richness in the mid-palate and a lengthy finish that give this wine its special character; this wine is also better than previous efforts due to additional vine age, so combine that with the excellence of the 2012 vintage and you have a very special wine! (Note: this wine is imported in the US by Winebow. You may not yet find the 2012 bottling, but it will arrive soon, if it hasn’t already. Now if the importer could only be convinced to bring in the “Radici” Fiano and the “Nova Serra” Greco.)
Milena Pepe, Tenuta Cavalier Pepe (Photo ©Tom Hyland)
From Tenuta Cavalier Pepe, under the direction of the effervescent Milena Pepe, the 2012 whites that stand out are the Coda di Volpe “Bianco di Bellona” and the Greco di Tufo “Nestor.” The latter has been a favorite of mine or some time now and is profiled in my book Beyond Barolo and Brunello: Italy’s Most Distinctive Wines; the 2012 is beautifully made. But it is the Coda di Volpe that really surprised me here, as this tends to be a variety that is not given the same care or respect as Greco or Fiano; indeed it is often used as a blending grape in Greco di Tufo or is the principal variety in Lacryma Christi del Vesuvio Bianco, a wine that is too often categorized as a summer sipper. But here was an example of Coda di Volpe with inviting aromas of lemon zest and magnolia flowers along with lively acidity, good persistence and a light touch of minerality. It’s a lovely wine, one with simple charms and when I told the enologist how much I loved the wine, he did a little dance!
Other impressive 2012 whites from Campania I tasted were the Villa Raiano Fiano di Avellino “Alimata” and the Greco di Tufo “Contrada Marotta” (the latter is profiled in my Decanter article; this has become one of the best examples of its type over the past three vintages- the 2010 tasted during this trip was the finest Campanian white I tried; if you have a bottle, savor it, as it will be in fine shape for another 3-5 years). Also keep an eye on the classic level offerings of Greco di Tufo and Fiano di Avellino from Villa Raiano from 2012; they are lovely wines, just a bit lighter than the cru offerings, with the Greco being especially noteworthy.
At Donnachiara, proprietor Ilaria Petitto was thrilled to have me taste her two new wines from 2012, the Fiano “Esoterico” and the Greco “Ostinato” that are limited production wines made from late harvest grapes picked in early November. The Fiano is an exotic wine, one that offers perfumes of honey, golden apple, mango and saffron and has excellent depth of fruit and is lush, almost oily on the palate. While her traditional Fiano di Avellino is treated only in stainless steel, this version is 20% barrique-fermented and then aged in barrique for 20 months. It’s quite a statement. (Incidentally, this is not labeled as Fiano di Avellino, as it was not tasted with the commission that approves wines to be labeled as DOCG).
As for the Greco “Ostinato” (some of the grapes are from outside the approved Greco di Tufo zone, so it cannot be labeled as such), it is produced in a similar manner as the Fiano (the fermentation here is extremely cold and lasts 12 months); the wine displays exquisite aromas of orange zest, pineapple and a touch of honeysuckle. Medium-full, there is excellent concentration, beautiful acidity and a light nuttiness in the lengthy finish (the persistence is outstanding). This is a wine of marvelous complexity, one that is exotic and distinct; I give the wine a 5-star (outstanding) rating and estimate that it will peak in 10-12 years. These two new wines from Donnachiara are prime evidence of the new direction being undertaken by the producers of Campania - brava, Ilaria!
Sabino Loffredo, Pietracupa (Photo ©Tom Hyland)
A few final thoughts. As expected, the 2012 Pietracupa Greco di Tufo and Fiano di Avellino are outstanding wines; the Greco with its gorgeous aromas of jasmine, lemon zest and magnolia flowers and beautiful ripeness, is especially memorable. Winemaker/proprietor Sabino Loffredo is among Italy’s most accomplished vintners and these wines serve as reference points for their category. Every wine he produces is a true statement of typicity, displaying great varietal purity along with a true sense of place. Also two examples of Fiano di Avellino from 2011, the Ciro Picariello and the Villa Diamante “Vigna della Congregazione” are powerful styles of this wine (especially the latter) and are evidence that 2011 was an excellent year that has been overlooked, sandwiched between the outstanding 2010 and 2012 vintages.
Maiori, Costa d’Amalfi (Photo ©Tom Hyland)
Finally, I tasted an example of Biancolella that was arguably the finest I have ever come across. It’s from Raffaelle Palma and it’s called Pietracroce. This is a DOC Costa d’Amalfi wine from Palma’s stunning estate in the small seaside town of Maiori. Brilliant light yellow in color with a hint of copper, this has striking aromas of kiwi, honeysuckle and pineapple and offers vibrant acidity along with a lengthy finish with notes of green tea. Beautifully balanced and quite delicious, this is another accomplished wine from Vincenzio Mercurio, one of Campania’s most highly regarded enologists. This lovely wine is from the 2011 vintage, incidentally; I can’t wait to taste the 2012 offering!
Fiano Vineyard at Montefalcione (Photo ©Tom Hyland)
Per leggere questo articolo in italiano, clicca qui
I recently returned from a two-week trip to Italy that included three days in Campania. As the majority of my trip was in red wines zones of Tuscany (Montalcino and Scansano), I needed to head to a region that produces great whites, so I squeezed in some time in one of my favorite wine territories, the province of Avellino, also known as Irpinia.
Avellino is most famous for two white wines: Greco di Tufo and Fiano di Avellino. The wines are quite different with Greco tending to be lighter and a bit more reserved, with slightly higher acidity. Fiano on the other hand, tends to be most lush and ripe, being a bit more approachable upon release, while the finest examples of Greco tend to need a year or two after release before showing their best. Generally, Fiano, as it is a bigger wine, tends to age longer.
There is a third white grape planted in Avellino called Falanghina that is also planted throughout the Campanian region. Falanghina has vibrant acidity that is a trademark of the variety. It is an ancient variety that was almost forgotten over the last 30 years, but several producers in the region have made an effort to craft notable offerings from this grape. Many of the best examples come from the Sannio district in the province of Benevento, situated north of Avellino.
Ilaria Petito, Donnachiara (Photo ©Tom Hyland)
A small producer that has become one of the most critically acclaimed for its whites is Donnachiara, headed by the engaging Ilaria Petito. Her first vintage for this project was only in 2006, so for her to gain as much attention as she has to date tells you the qualilty of the fruit she is working with along with the care in the cellars. For her new releases, it is the 2011 Fiano di Avellino that is a standout, with pear and quince aromas alongside those of toasted almond and hay. Medium-full, the wine has excellent ripeness and a lengthy finish with lively acidity. This should offer optimum drinking for 3-5 years, perhaps longer.
A quick word here about 2010 and 2011 in Campania. 2010 offered wines that were beautifully balanced with very good acidity; while not a powerful vintage, the wines offer very good typicity and are excellent representations of their types. 2011 was a warmer vintage and the wines are definitely richer on the palate and more forward. Yet this is not a flash in the pan vintage, but one that yielded excellent wines from many producers. Of course, some of the best estates have not yet released their 2011s, but based on what I’ve tasted so far, 2011 is clearly a successful vintage for white wines in Campania, with impressive depth of fruit as well as overall balance.
Cutizzi Vineyard of Feudi di San Gregorio, planted to Greco (Photo ©Tom Hyland)
One of my favorite estates – not just in Campania – but in all of Italy – is Feudi di San Gregorio, situated near the town of Sorbo Serpico. Proprietor Antonio Capaldo has done a marvelous job at this winery, producing offerings that lead the way for the region’s wine stature. One of my favorite wines from Feudi each year is the Greco di Tufo from the Cutizzi vineyard in Santa Paolina in the heart of the DOCG zone. The 2011 is medium-full with excellent concentration with aromas of pear, melon and kiwi. The wine is a bit plump on the palate and there is a lengthy finish with excellent persistence and very good acidity. This is a Greco di Tufo that reveals greater complexities with time, so look for this wine to be at its best in another five years.
The 2011 Falanghina “Serrocielo” is one of the best releases to date of this wine. This is a single vineyard Falanghina, something you don’t see to often; this planting is situated in the Benevento province. The aromas on this wine – stone fruit (peach and pear) along with notes of honey – are delightful and there is excellent weight on the palate and a nicely structured finish. This is a pleasure for current consumption and will improve for another 3-5 years.
The finest white from Feudi I tasted this trip was the 2010 Campanaro, a blend of Fiano and Greco. This wine is always released one year after the other Greco and Fiano bottlings, a wise choice, as the wine needs time to come together and show its finest characteristics. The 2010 has beautiful floral aromas (geranium, magnolia) to go along with its notes of Bosc pear, melon and lemon; medium-full, the wine offers excellent complexity. This is an outstanding wine that will drink well for 7-10 years.
I’ve always enjoyed visiting Matroberardino, the grand patriarch of all Campanian producers. My first visits, some ten years ago were with Antonio Mastroberardino; today I meet with his son Piero, a thoughtful individual who caries on his father’s work with great tact and skill. His new 2011 whites are beautifully made, from the simple, refreshing Lacryma Christi del Vesuvio – made entirely from the Coda di Volpe variety – to the single vineyard and selezione wines. The 2011 Greco di Tufo “Nova Serra” has yellow flower and lemon peel aromas, impressive weight on the palate and a beautifully defined mid-palate and a lengthy finish with distinct minerality; in short, this is a Greco di Tufo of excellent typicity.
As for Fiano di Avellino, I am very impressed with the Radici offering (radici meaning “roots”), which has expressive aromas of quince, Bosc pear, yellow flowers and chamomile. There is a rich mid-palate and excellent persistence and the wine is very clean and flavorful. There is excellent complexity and this year, a bit more ripeness, which only adds to the wine’s appeal. This is delicious and a great example of how beautiful the whites wines of Campania are for food, be it shellfish (especially with Greco di Tufo) or lighter poultry, veal and pork dishes, which are best paired with Fiano di Avellino.
In Part Two of this study of 2010 and 2011 Campanian whites, I will discuss the wines from some of the finest small estates of Avellino, including Villa Diamante, Vadiaperti and Pietracupa.
For my final post of 2009, I want to salute some of the finest Italian producers of this decade. Each year in the Spring issue of my Guide to Italian Wines, I list the year’s best wines and producers. I’ll be working on that shortly, but for now, let’s focus on the most important producers of the decade. There is no way I can do this with a single post, so this is part one. I’m juding not only on the quality of the wines, but also the influence these producers had in the marketplace and media and among their peers.
If Luca Currado at Vietti only made Barolo, this winery would have made the list, but there are also gorgeous bottlings of Barbera, as well as a sleek, delicious offering of Arneis. The wines are beautifully made and sell through in good order.
This family-owned winery makes the list for maintaining its traditional winemaking methods, as the great Barolos are aged in botti grandi - no barriques here. Is there a more graceful and ageworthy Barolo than the Bricco Boschis San Giuseppe Riserva?
Very modern Barolos here, aged in barrique, but amazing concentration and style. You may or may not like this style of winemaking, but you cannot help but admire the class of the offerings here.
Produttori del Barbaresco
Ultratraditional wines that show what the local terroir of Barbaresco is all about. An excellent Barbaresco normale and outstanding (often stunning) cru bottlings from the town’s best sites, including Asili, Rabaja and Montestefano. General manager Aldo Vacca is as classy as his wines!
I am saluting Gian Luigi Orsolani for his outstanding work with the Erbaluce grape, an indigenous white variety from northern PIemonte. Orsolani is the finest producer of this grape type in my opinion, crafting first-rate examples of dry white, sparkling and passito versions.
Braida – Giacomo Bologna
Splendid bottlings of Barbera d’Asti, from the humble to the sublime, especially the Bricco dell’Uccellone and the Bricco della Bigotta. Still one of the finest and most influential producers of Barbara d’Asti. Also a superb Moscato d’Asti (Vigna Senza Nome) and arguably the finest bottling of Brachetto d’Acqui. Raffaella Bologna is continuing her late father’s work in fine fashion.
This gorgeous estate in the heart of the Barolo zone has been improving dramatically for the past decade, thanks to the efforts of general manager Giovanni Minetti and winemaker Danilo Drocco. A few years ago, Oscar Farinetti, the owner of the gourmet food store, Eataly, became the prinicpal owner of the winery and has already shown his influence by introducing value-priced Barbera and Dolcetto. There are so many excellent wines produced at Fontanafredda; this is an estate that has numerous wines for a wide consumer base and any producer that wants to grow their business in the coming decade should be looking at this model.
Tenuta San Guido/Tenuta dell’Ornellaia
I am putting these two estates in Bolgheri together, as they both produce outstanding examples of local reds that not only are beautiful wines on their own, but are also known around the world. These estates, along with Grattamacco and Le Macchiole continue to be the identity for Bolgheri, Tuscany’s new light.
Bottles of Ornellaia and Masseto, Tenuta dell’Ornellaia
(Photo ©Tom Hyland)
Brunello di Montalcino has been in the news as of late, and not for all the right reasons. So let’s salute Il Poggione for making Brunello the right way – the traditional way. Winemaker Fabrizio Bindocci has a gentle winemaking hand, as he prefers to let the local terroir shine through in his wines. I’ve tasted examples of Il Poggione Brunello from the 1970s that are still in fine shape. As for the recent controversy about the possible inclusion of grapes other than Sangiovese in Brunello, well, there was never any doubt about that at Il Poggione; so the respect for the land and the wine as seen here (as well as at dozens of other local estates such as Biondi-Santi, Col d’Orcia, Talenti and Sesta di Sopra to name only a few) needs to be saluted.
Federico Carletti has done as much as any producer in Montepulciano to revive the fortunes of its most famous wine, Vino Nobile di Montepulciano. The regular bottling is always very good, but it is the Vigna Asinone bottling is the star here. Deeply concentrated with new oak and sleek tannins, this is a modern, but very precise wine that is one of Tuscany’s finest.
Campania’s most historically important winemaking estate, this winery continued to improve after a family split in the 1980s (some of the family members established a new winery in the Avellino province) and the change in leadership from Antonio Mastroberardino to his son Piero. Clonal research became an important factor here, and today, the family is producing the best examples of Greco di Tufo, Fiano di Avellino and Falanghina they have ever made. Of course, Taurasi is still the most important wine here, and if today’s bottlings are not as staunchly tradtional as those from the 1960s and early 1970s, they are still first-rate and just as importantly, are not covered up by the vanilla and spice of new oak that other Taurasi producers seem to prefer these days. How nice that this defender of the local winemaking heritage is doing so well these days!
Feudi di San Gregorio
This estate made a splash with its entrance on the scene in the mid 1980s and they are still one of Campania’s most important producers. Rich, deeply concentrated bottlings of Taurasi, but even more impressive white wines, especially Cutizzi Greco di Tufo and Pietracalda Fiano di Avellino. Now there are even beautifully made single variety sparkling wines in the classic method produced from Greco, Falanghina and Aglianico. Congratulations to owner Antonio Capaldo on his innovative efforts at this great estate!
Luigi Maffini is making some of the most brilliant white wines in all of Italy as his small estate in the province of Salerno, south of Napoli. While his reds made from Aglianico are nicely done, the whites made from Fiano are routinely outstanding. There is the non-oak aged Kratos and the French oak-aged Pietraincatenata, an age-worthy Fiano. There is also a sumptuous Fiano Passito, which in my opinion, is one of the greatest dessert wines in all of Italy (the 2004 is particularly exceptional).
Cantine Marisa Cuomo
This small estate, located in the town of Furore on the Amalfi Coast, is set in an exceptionally beautiful seting, as the pergola vineyards cling to steep slopes a few hundred feet above the sea. Marisa and her husband, winemaker Andrea Ferraioli, are best known for the exceptional white, Fiorduva, a blend of indigenous varieties (Ripole, Fenile and Ginestra), but I think the Furore Rosso Riserva is also an important wine. This is extreme viticulture at its finest!
(Photo ©Tom Hyland)
Today, I am beginning my posts on the Top 100 wine estates of Italy. I like to mix things up a bit, so instead of starting with a producer from Piemonte or Toscana, let’s commence with a great producer from Campania – Mastroberardino.
Mastroberardino is arguably the most classical wine estate in Campania; the family certainly represents everything that is good about the tradition of this land. Long-time growers in the province of Avellino, some thirty miles east of Napoli and the sea, the family established its winery in the town of Atripalda in 1878. Back in the 1940s, Antonio Mastroberardino and his father worked tirelessly to save indigenous varieties such as Greco, Fiano and Aglianico from extinction, as post World War ll vineyards in this area (and much of Italy) were in poor condition. It is not a stretch to say that thanks to the efforts of the Mastroberardino family at that time, we can enjoy wines made from these varieties today.
Piero Mastroberadino, son of Antonio, currently manages the company and has brought about changes that have updated the winery, bringing it into the 21st century, as per modern equipment in the cellars. He has also put a great deal of time and money into research of new clones of Greco, Fiano, Coda di Volpe and Aglianico and has assembled a first-rate team of employees on the viticultural as well as production side of the business.
All of these changes however have been undertaken to preserve the mission of his father in producing the finest examples of Campanian wines from indigenous varieties while maintaning tradition. “When you are in the position as the leader of a family business, you have to take the values and regive the values, possibly to a higher level. This is not my decision, this is about cultural and social values,” Piero Mastroberardino comments.
The best wines of Mastroberardino include:
- Greco di Tufo “Nova Serra”
- Fiano di Avellino “Radici”
- Fiano di Avellino “More Maiorum”
- Falanghina “Morabianca”
- Taurasi “Radici”
- Taurasi “Naturalis Historia”
- Villa dei Misteri
Of all the wines produced by Mastroberardino, the Taurasi “Radici” is their most acclaimed bottling. Produced today entirely from Aglianico, this is a long-lived, deeply concentrated red that offers expressive notes of black cherry and bitter chocolate. Bottlings from the 1960s are still drinking beautifully (especially the 1968) and examples from the finest recent vintages, such as 1999, 2001 and 2004 should drink well for another 15-20 years.
The term radici is used for this most famous bottling of Taurasi (as well as for a selection of Fiano di Avellino). This is quite fitting, given the family’s respect of tradition, as the word radici in Italian means “roots.” As Piero Mastroberardino says, “the people here work in the continuity, the roots and the history of this terroir.” Thanks to Piero and his family for staying the course!
Text and photos ©Tom Hyland. Use of this text or images is forbidden unless permission is granted by the author.