Posts tagged ‘monte rossa’
Alex Pilas, Executive Chef, Eataly, New York City
In mid-July, I was honored to co-teach an Italian wine and food class at Eataly in New York City with Dan Amatuzzi, wine educator for the store. The experience was great and I want to thank everyone at Eataly that assisted in this class.
That’s about all I want to write about myself, as this post is about learning about Italian wine and food the right way. At least that’s my opinion. What do I mean by the right way? I’m referring to enjoying a variety of Italian wines from numerous regions with traditional Italian foods.
Just look at the wines we tried in the class: the special cuvée “Rabochon” (2005 vintage) from the Franciacorta producer Monte Rossa; Vespa Bianco 2011 from Bastianich; Friulano 2007 “Vignecinquant’anni” from Le Vigne di Zamo; Morellino di Scansano 2010 “Le Perazzi” from La Mozza; Dolcetto di Diano d’Alba “La Lepre” 2008 from Fonatanafredda and the Langhe Nebbiolo 2009 from Borgogno.
If you think this wasn’t the typical array of Italian wines you’re likely to taste at a class, you’re right. The wines were chosen for a few reasons, one being that they are all given a writeup in my recently published book Beyond Barolo and Brunello: Italy’s Most Distinctive Wines. In this book, I have endeavored to give the reader a portrait of the true Italian wine scene and not just coverage of the most famous wines from the country.
So notice that there wasn’t a single example of Barolo, Brunello or Amarone, but rather wines that you might come across everyday in Italy. Combine that with some marvelous foods prepared by Eataly’s executive chef Alex Pilas and you have a setting that in some ways brings Italy home. I told the students at the class that they were learning about Italian wine as the Italians do – in a relaxed setting, enjoying a glass of wine with local food.
Pesce crudo (raw fish) was served with the sparkling wine and the two whites; the acidity of these wines were an ideal match for the fish. Various styles of salumi (prosciutto di parma, soppressata) accompanied the Morellino di Scansano and the Dolcetto, while the final course was a mushroom ravioli that was paired with the Langhe Nebbiolo. I absolutely loved this match – and given the comments by the students, so did they – as the earthiness of the mushrooms were in tandem with the similar qualities of the Langhe Nebbiolo, which also happens to offer subtle notes of porcini in the aromas. You just don’t get a pairing that works as beautifully as that one did every day, so complimenti to chef Pilas!
Another note about the Borgogno Langhe Nebbiolo. I wanted to feature this offering, as this is the exact type of Italian wine that does not get the attention it deserves in the well-known consumer wine publications. Yet it is excellent and offers a sense of place – you can tell instantly that this is from Piemonte. What I love about this wine is that this is 100% Nebbiolo – the same as the much more expensive Barolo and has a lot in common with that more famous wine. Indeed, Borgogno produces this wine with Nebbiolo fruit sourced from five local vineyards that are also used by the produced for its various bottlings of Barolo. This is the type of Italian wine that everyone needs to know more about, not only because it displays lovely varietal purity and beautifully represents the land, but it is also a very reasonable alternative, pricewise, to Barolo. You’d be surprised how many of these wines exist in Italy, from Langhe Nebbiolo and Nebbiolo d’Alba in Piemonte to Aglianico in Campania in the south.
Generally, Italian wine classes are often about what I call “trophy” wines; the bottles that are the longest-lived and most renowned wines from the country. I love them, but more often, I seek out the best examples of everyday wines crafted by producers throughout Italy. That’s something I think every wine lover should do, as this will be an exercise in tradition and heritage and not merely a search for the highest scores. The best wines of Italy are meant for consumption with food; they play up to the food and when it’s done right, the total is far more than the sum of the parts.
So I was thrilled to have this experience co-teaching this class to consumers who were eager to learn about pairing Italian wines and foods the right way. Oscar Farinetti, who created Eataly in Torino about a decade ago, as well as Lidia and Joseph Bastianich and Mario Batali, co-proprietors of the New York Eataly, are creating an atmosphere of helping the consumer learn about the pleasures of Italian wine and food in a relaxing, no-nonsense way. Here’s to each of them for their work and here’s to their staff for involving me in this environment.
I can’t wait for Eataly to open up in Chicago later this year, where I hope to be part of more education about Italian wine and food!
At the end of one year or beginning of another, “best-of” lists are quite common; I’m no different, as I’ll include a few of these posts soon. But for today, I’d like to highlight a few of my favorite Italian wines I enjoyed during 2012. Some of these will be included in my year’s best list, but many will not. The difference between “best” and “favorite” is rather arbitrary to begin with anyways; quite often all of us get too caught up in the “best”, as we believe that having these wines will enhance our lives. Perhaps, but more often than not, my “favorite” wines are the ones that best fit the moment, whether it’s an ideal match with the meal I’m enjoying or simply a wine that delivers great character for the right amount of money.
Enough with the philosophizing, on to the list!
2011 Jankara Vermentino di Gallura – Vermentino is a successful white along the coast of Tuscany as well as in Liguria and Sardegna. This Jankara version is from the latter region and it’s a textbook example of what this variety is all about, with its expressive aromas of jasmine, grapefruit and green apple, excellent richness on the palate and vibrant acidity. This relatively new producer made a nice version of this wine from the 2010 vintage, but this 2011 is far superior! This has an especially lengthy finish and is ultra clean with excellent complexity; pair this with just about any type of shellfish. ($26)
Emanuele Rabotti, Monte Rossa (Photo ©Tom Hyland)
Monte Rossa Franciacorta Blanc de Blancs Brut “P.R.” - I tasted so many wonderful bottlings of Franciacorta during my visit to this district back in November, with many different styles from Extra Brut to Rosé. Here is one my my favorite Blanc de Blancs, a 100% Chardonnay with a very fine and persistent stream of bubbles along with beautiful melon, pear and acacia aromas and flavors. Medium-full with excellent persistence, this has good acidity, lovely varietal character and ideal balance. It’s also delicious, whether enjoyed on its own or with risotto or lighter seafood. Every cuvée from this first-rate producer is something special!
2011 Giovanni Manzone Dolcetto d’Alba “Le Cilegie” -This renowned producer from Monforte d’Alba crafts some pretty special examples of Barolo – his 2008 “Bricat” is outstanding – but he also puts a great deal of effort into his other, more “humble” wines such as this beautiful Dolcetto. This has classic aromas and flavors of red plum, boysenberry and black raspberry fruit along with a hint of lavender on the nose and it’s a juicy, fresh and absolutely delicious wine! Medium-bodied, this has moderate tannins, balanced acidity and it’s nicely balanced and above all, such a pleasure to drink. What a great partner for lighter pastas or a simply prepared roast chicken. If more people were not as serious about “great red wines” that can age for decades and more excited about a purely delicious wine such as this – one that’s a real crowd pleaser – Dolcetto would be one of the most popular wines – red or white – in this country. ($25)
2008 Zyme Valpolicella Classico Superiore – Today in the Valpolicella district, Amarone has become so famous and so revered that Valpolicella has become somewhat of a forgotten wine. Thankfully, there are numerous producers who still produce an excellent example of Valpolicella; this version from Celestino Gaspari offers delightful bing cherry fruit along with hints of tar and cedar in the nose, while there are moderate tannins and very good acidity and overall balance. This is a medium-bodied red that’s so typical of what a well made Valpolicella should be – a wine to be enjoyed with lighter red meats or risotto or stews tonight or over the course of the next year or two.
You might be surprised to learn how much Italians love sparkling wine. Italy is one of the biggest export markets for Champagne and throughout the country, local producers make unique sparkling wines, from Erbaluce di Caluso in Piemonte to Aspirinio di Aversa in Campania; I’ve even tasted a bollicine from Toscana. Then of course, there are the wildly popular sparkling wines from Asti and Prosecco.
So it should come as no surprise that there is an area where local vintners have decided to focus on producing the finest sparkling wines, using the best varieties and sparing no cost with production methods. This sparkling wine is Franciacorta.
The Franciacorta zone is comprised of nineteen communes in the province of Brescia in eastern central Lombardia. Viticulture among the gentle rolling hills of this area date back more than five hundred years, but it was not until the 1960s that local producers transformed Franciacorta into an important territory for sparkling wines. Awarded DOC recognition in 1967, Franciacorta was elevated to DOCG status in 1995. Today there are over 75 producers of Franciacorta, ranging in size from small (100,000 bottles per year) to large (about one million bottles per year).
Only three varieties are allowed in the production of Franciacorta: Pinot Bianco and Chardonnay for white and Pinot Nero (Pinot Noir) for red. Aging is for several years and the final product cannot be released until 25 months after the vintage of the youngest wine in the cuvée (as with Champagne, the most common bottlings of Franciacorta are non-vintage – or multi-vintage, if you will – Brut.) While most producers age their wines solely in stainless steel, there are a few notable producers such as Bellavista and Enrico Gatti that age at least part of their cuvées in oak barrels.
Along with non-vintage Brut, there are bottlings of Rosé, which must contain a minimum of 15% Pinot Nero, although the finest examples are produced with 50% to 75% of this variety. There is also a type of Franciacorta known as Satèn that can be produced from only white varieties (originally Satèn was 100% Chardonnay, but today, Pinot Bianco is allowed in the cuvée; a few producers such as Bellavista with their Gran Cuvée Satèn still use only Chardonnay for this type of wine.) Also as with Champagne, there are special cuvées that represent the finest sparkling wine a producer can craft. Made from the best vineyards and aged longer on their own yeasts, these bottlings are released later then the regular Brut and other cuvées and can generally age longer than those wines. A few examples include the “Annamaria Clementi” from Ca’ del Bosco, the “Gran Cuvée Pas Operé” from Bellavista and the “Brut Cabochon” from Monte Rossa.
Among the finest producers of Franciacorta are:
- Fratelli Berlucchi
- Guido Berlucchi
- Ca’ del Bosco
- Contadi Castaldi
- Enrico Gatti
- Il Mosnel
- La Montina
- Le Marchesine
- Monte Rossa
- Ricci Curbastro
Perhaps the most important thing that should be noted about Franciacorta is the outstanding quality. The wines are made according to the classic (or Champagne) method, where the wines are aged on their own yeasts in the bottle before being disgorged after a lengthy aging period. This is a costly and time-consuming method, but it is a vital step in assuring complexity and quality. Clearly, the finest examples of Franciacorta can stand alongside the most famous bottlings of Champagne in terms of excellence.
One final note: Many producers of Franciacorta also make red and white table wines, produced from a number of varieties, including Chardonnay, Pinot Nero, Barbera and Cabernet Franc. These still wines are labeled with the Curtefranca designation.