Posts tagged ‘brigaldara’
Here is part two of my lists of the Best Italian Wines of 2011. My last post dealt with white wines and my next few will be about the red wines (I’ll need more than one post for that). This post will focus on the finest sparkling and dessert wines from last year.
Please note that this is a partial list – there are other wines that made the list (see end of post for more information).
2005 Bellavista Gran Cuvée “Pas Opere” (DOCG Franciacorta)- Bellavista is one of the largest houses in Franciacorta and has been among the very best for more than three decades. Their line of Gran Cuvée wines are selections of the best grapes from older vineyards, most of them planted more than 25 years ago. The Pas Operé is a blend of 62% Chardonnay and 38% Pinot Nero, the majority of which is fermented in oak barrels. The wine spends some six years on its own yeasts before release and the finished product is amazingly powerful, yet graceful and elegant, displaying aromas of lime, yeast and red apple with a pale mousse and persistent stream of fine bubbles. The finish is quite long and round with hints of citrus fruits. Drink now or over the next 5-7 years. Suggested retail price: $80
2007 Le Marchesine Franciacorta Rosé (DOCG Franciacorta) - Quality is extremely high at this medium-sized Franciacorta estate, managed by the Biatta family. Their Secolo Nuovo (“new century”) lines represent their finest; this past year however, I was very impressed with their 2005 Rosé Brut Millesimato. A blend of 50% Chardonnay and 50% Pinot Nero, this wine spent three years on its yeasts before bottling. The color is deep copper/light strawberry with aromas of cherry and currant. Quite rich on the palate, this has excellent persistence and very high acidity – the style of this wine is quite austere. This will drink beautifully for the next 3-5 years and perhaps longer. This is among the three of four best examples of Franciacorta Rosé I have had enjoyed! (Not imported in the United States at the present time.)
2003 Ca’del Bosco “Cuvée Annamaria Clementi” (DOCG Franciacorta) - This wine, named for the mother of Ca’ del Bosco owner Maurizio Zanella, is one of the benchmarks of Franciacorta. This is a blend of 55% Chardonnay, 25% Pinot Bianco and 20% Pinot Nero; the grapes were sourced from 16 different vineyards, with an average age of 39 years. One of the secrets to complexity in a Franciacorta (or any great sparkling wine) is the length of time the wine spends on its own yeasts; for many of the best cuvées in Franciacorta, that time is as long as 50-60 months. However for this wine, that period was 78 months, a full six and one-half years! Full-bodied, with aromas of dried pear, peach and yellow flowers, this has explosive fruit and a long, well-structured finish. This should drink well for another 5-7 years, at least. $75
2001 Ferrari “Riserva del Fondatore Giulio Ferrari” (DOC Trento) - Those who point to the Trento zone as being the home of Italy’s finest bubblies use this wine as evidence. Ferrari has been one of the quintessential sparkling producers – using the metodo classico (classical method) – since the first decade of the 20th century. The Giulio Ferrari bottling is 100% Chardonnay, with the grapes coming from vineyards some 1650 to 2000 feet above sea level. The wine spends 10 years(!) on its own yeasts (specially cultivated from Ferrari’s own cultures); the result is sublime. The aromas are intense, offering notes of honey, dried pear, caramel and vanilla and the wine has a generous mid-palate and a long, beautifully structured finish with vibrant acidity. The bubbles are very small and there is outstanding persistence. I would expect this wine to drink well for at least ten years. Amazing complexity and class! $90
2006 Brigaldara Recioto della Valpolicella (DOC)- While Amarone is quite popular around the world today, Recioto is not. This is more than a bit ironic, as Amarone is a fairly recent innovation, first made in the 1950s, while Recioto is the wine that has been made in cellars in the Valpolicella zone for over a thousand years. Both wines are produced according to the appassimento method, in which the grapes are dried on mats or in plastic boxes for several months. Amarone is of course, fermented dry, while Recioto finishes fermentation with some residual sugar, so given the difficulty in selling dessert wines these days, it is not a surprise that Recioto is not that much in demand. However, a great example, such as the current release from Brigaldara, should convert many wine lovers. Deep purple with tantalizing aromas of black raspberry and black plum, the wine is quite rich with only moderate sweetness, as there is good balancing acidity. This is a great example of how elegant Recioto della Valpolicella can be. Absolutely delicious now, this will drink well over the next 5-7 years. $30 per 375 ml bottle
2009 Coffele Recioto di Soave “Le Sponde” (DOCG) - Recioto di Soave is a remarkable dessert wine, produced from Garganega grapes that are dried naturally on mats – or hung on hooks – in special temperature and humidity controlled rooms. Coffele produces one of the finest examples; with an amber golden color and lovely aromas of apricot, golden raisins, honey and pear, this is a wine with heavenly perfumes; it is also a delight to taste with its lush fruit and a light nuttiness in the finish. Medium sweet, this has very good acidity to balance the wine so it is not overly sweet. Enjoy this over the next 5-7 years. $25 per 375 ml
2007 Pieropan Recioto di Soave “Le Colombare”(DOCG) – Leonildo Pieropan has been considered one of the benchmark producers of Soave Classico for more than thirty years. His cru bottlings are superb examples of how complex and ageworthy Soave can be, while his Recioto di Soave is among the finest each year. There are excellent examples of Recioto di Soave in many styles; while some are quite lush and sweet, the Pieropan bottling is subdued with only a trace of sweetness. Light amber gold, the sensual aromas are of apricot, lemon oil, mango and almond while the finish is quite long with lively acidity. Offering beautiful complexity and balance, this wine oozes class and breeding! Enjoy over the next 7-10 years. $50 per 500 ml
This is a partial list of the best Italian sparkling and dessert wines of the year. The complete list will be in the Spring issue of my Guide to Italian Wines, which will be sent to paid subscribers. If you are interested in subscribing to my publication – currently in its 11th year – email me at email@example.com.
Gian Paolo Speri, Az. Agr. Speri, Pedemonte in Valpolicella (Photo ©Tom Hyland)
I recently visited the Valpolicella area for the second time this year and of course, focused quite a bit on Amarone. I am happy to report after tasting examples from 15 different estates that Amarone is now at an extremely high level of quality, joining wines such as Barolo and Brunello as one of the finest, most complex and just as important, one of the most consistent red wines in Italy, thanks to a recent string of notable vintages as well as first-rate winemaking. These are the glory days for Amarone.
Now of course, not every Amarone is outstanding (this is true with famous wines everywhere in the world). There are producers who are doing all they can to make as affordable a wine as possible, but let the buyer beware. Amarone (or more formally Amarone della Valpolicella) is produced by an expensive process known as appassimento, in which grapes are naturally dried in special rooms for three to four months. This is a costly, time-consuming method, but it’s what gives Amarone its unique qualities. This is not a process that can be rushed, so the producers that want to find an easy solution are not crafting the best wine they can. Quite simply, there are no shortcuts to greatness.
In fact, 12 producers recently founded an organization named Le Famiglie dell’Amarone, meant to protect the special qualities of classic Amarone. Members of this group include some of the finest in the area, including Masi, Allegrini, Speri, Brigaldara, Tedeschi, Musella and Tenuta Sant’Antonio. You can read my article about this group here.
Vineyards at Negrar (Photo ©Tom Hyland)
One of the reasons I am so excited about Amarone these days is the shift in style. Amarone has always been a powerful wine and remains such, but in the past, the wine was too brooding, a heavy wine that emphasized strong raisiny and herbal characteristics. But with the experience of the past two decades, the wines as a whole are much more elegant and emphasize fruit and complexity, all the while in a package that is 16% or 16.5% alcohol. Yes, Amarone is a big wine, but it is not a monster.
Recent vintages combined with a more refined winemaking style have given us elegant Amarones; one taste of the 2005 Zenato Riserva is brilliant evidence of this. 2006 was proclaimed a great vintage in the Valpolicella area (where grapes for Amarone are grown) and there are dozens of excellent examples; while many are sold out, the 2006 Buglioni and Masi Costasera Riserva are two first-rate bottlings from this vintage that are currently available.
As for 2007, one generally does not expect two great years in a row, but this indeed appears to be the situation for Amarone. “Early on, 2007 did not look like a special year, but now I think it is a fantastic vintage,” notes Sandro Boscaini, technical director for Masi. Boscaini, truly one of the most influential individuals of Amarone over the past 40 years, thinks 2007 could be one of the all-time great vintages. I’ve tasted a few of the 2007s and find beautiful definition and finesse in these wines; among the finest are those from Allegrini; Tommasi; Tedsechi; Masi (Costasera normale and riserva); Tenuta Sant’Antonio (selezione Antonio Castagnedi); Massimago; Musella and Speri, this last a superb wine.
Semi-dried Corvina grapes at Masi (Photo ©Tom Hyland)
Then there is the most recent growing season, 2011. This was a slightly cool, rainy year throughout June and July. But then in mid-August, conditions changed as temperatures soared and stayed warm throughout September, assuring “perfect ripening” in the words of Gian Paolo Speri, producer from Pedemonte in the heart of the production zone. “2001 will be a very great vintage,” says Speri.
The wines from 2011 will not be released until 2014 at the earliest, with most being available on the market in 2015 or 2016. Until then, consumers can enjoy the outstanding offerings from 2006 and 2007 with other beautiful wines from 2008 (slightly lighter wines, but with beautiful aromatics and acidity), followed by the ripe, intensely flavored 2009s and the beautifully balanced 2010s. As I wrote earlier, these are the glory days for Amarone.
Vineyards at Negrar (Photo ©Tom Hyland)
I’ve just returned from a two-week trip to Collio in the Friuli region as well as the Soave and Valpolicella zones in the Veneto region. I’ll write a bit about all these areas; today I begin my accounts with Valpolicella, where several wines, including Amarone – one of Italy’s most iconic reds – are produced.
One of the purposes of my journey was to research the 12 producers that make up the Famiglie dell’Amarone (Amarone Families) project. I’ll be writing a feature article on this group for the Autumn issue of Quarterly Review of Wines – look for this issue in mid-September.
More on Amarone in a bit, but let me first discuss the Valpolicella zone, located just north of the splendid city of Verona. Valpolicella literally means “valley with many cellars” – it’s a district with hundreds of producers squeezed in a relatively small area. The western half is the DOC area, while there are many fine producers who make wine from the eastern section as well. The western part is comprised of three valleys: Fumane, Negrar and Marano; in addition, important towns for production include San Pietro in Cariano and Sant’Ambrogio. Many of the most famous producers of Valpolicella and Amarone are located here; these include Masi; Allegrini; Begali; Brigaldara; Venturini; Nicolis; Tedeschi and Tommasi. Excellent producers in eastern Valpolicella include Musella and Tenuta Sant’Antonio.
Valpolicella is a blend of several grapes, the most commonly used being Corvina and Rondinella. Molinara is still used in some wines, but it is not as popular as in the past. Other grapes include Corvinone (larger bunches than Corvina), Dinadarella (incorporated in a few blends, but often better used to produce a rosato, as with the example of Brigaldara), Negrara and Croatina. A few years ago, the DOC regulations for Valpolicella were changed and small percentages of non-local varieties are allowed; I sampled two different bottlings of Valpolicella with 5% Sangiovese, if you can believe it!
The major varieties – Corvina, Corvinone, Rondinella and Croatina – are also used to produce Amarone; a final variety that is being used by a few producers today is Oseleta, a grape type that adds color and tannins to the final wine along with good natural acidity. What makes Amarone so special and so different from a normal bottling of Valpolicella is the winemaking process. The grapes for an Amarone are picked one week prior to those for a Valpolicella and these grapes are then allowed to dry in special rooms – either on bamboo racks or in plastic trays called cassette - for anywhere from three to four months. This process of naturally drying the grapes takes place before fermentation and is known as appassimento. During the 90-120 days, the grapes shrivel and lose 20%-30% of their natural water, resulting in extremely concentrated grapes. As the natural sugars increase during this drying period, this means that a typical Amarone will have between 15% and 15.5% alcohol and in some years, even as much as 16%.
A third wine between Valpolicella and Amaone is Ripasso. Literally meaning “repass”, the original production for this wine included passing fresh grapes over the skins of the previous year’s Amarone skins. This would give a more “raisiny” character to a traditional Valpolicella, resulting in something of a “baby Amarone” for lack of a better term. Today other methods are often used and the wines range widely in style, from elegant and fruity (such as the wonderful bottlings from Begali or Brigaldara) to a more powerful, Amarone like wine (such as those from Masi, Allegrini and Tommasi).
Finally, there is Recioto della Valpolicella, which is sweet. This is the traditional wine produced for more than one thousand years in this area; the dry Amarone is a recent innovation, having only been produced since the 1950s. The sweet Recioto – and versions vary from off-dry to medium-sweet, offer gorgeous aromas of black raspberry and dark chocolate and are ideal partners for a variety of foods at the end of a meal, from a chocolate dessert to aged blue cheeses. I love Recioto and drink it whenever I can- it’s really a shame this isn’t a greater success in the market. One producer told me that when producers in the Valpolicella area get together, they all want to try each others’ Reciotos, which should tell you how seriously they view this wine. Among my favorites on this recent trip included Allegrini, Masi (two very different bottlings), Speri, Brigaldara and Tenuta Sant’Antonio.
Getting back to Amarone, I entitled this piece “A new found love.” It’s not that I abandoned Amarone, for I’ve always loved it, it’s just that after visiting twelve outstanding producers in four days, my love was rekindled. This was especially true of the 2006 vintage, which the producers there rated as great. Now I have read enough reports of so-called “great vintages” from all over Italy (as well as the rest of the wine world) and I’m usually a bit skeptical. These great vintages often result in wines that are too intense, too tannic, too oaky, etc., etc. – you get the picture. But not so with the 2006 Amarones, as these wines offer impressive concentration, remarkable fruitiness and beautiful balance. Given the press, many of these wines were already gone during my tastings, but I did taste several that I rated as outstanding, the four finest being the ultra-elegant Speri, the beautifully structured Riserva from Musella, the polished and very approachable Zenato and the sublime Begali “Monte Ca’Bianca”.
The 2007s are now upon us and I was very satisfied with the Tommasi, a classic style made in a traditional manner- the tannins are polished and there is excellent acidity- the wine is a beauty! I also enjoyed the more modern, powerful Allegrini as well as the Masi “Costasera”, which is more of a middle ground as far as style. I also tasted a few Amarones from 2005, with the Tenuta Sant’Antonio “Campo dei Gigli” offering the best balance and complexity.
Finally, there were a few special older bottlngs. Everyone knows that with a powerful wine such as Amarone, several years are needed for the wines to display their finest characteristics. This was certainly true for the 1999 Tedeschi “Capitel Monte Olmi” and the 1997 Venturini. For these wines, aromas of molasses, dried cherry and tobacco were among the most common and the wines had a more refined quality about them. But new release or 12 or 14 year-old bottle, my thoughts this past week with Amarone were all about love.