Luigi Tecce (Photo ©Tom Hyland)
There are producers that should best be described as specialists, just as with surgeons. Luigi Tecce is a specialist’s specialist when it comes to Taurasi, a fact I discovered when I was fortunate enough to taste a vertical of his “Poliphemo” Taurasi, a wine that truly is among the four or five best examples of its type.
Tecce’s small estate is located in the town of Paternopoli, in the southeastern section of the Taurasi zone. He sources grapes from vineyards at his estate here as well as in Castelfranci, situated a bit farther south. These are the traditional pergola vines – known here as pergola avellinese – and have quite a bit of age; some of the vines at his Paternopoli holdings date back to 1930.
Certtainly, these old vines provide a great deal of insight into why Tecce’s examples of Taurasi are so special. But it’s also his minimal, traditionalist style of winemaking that is a key. He ferments his Taurasi in large chestnut casks, followed by maturation in mid-size casks (tonneaux) before being transferred to large oak casks (botti) for twelve months. Finally, the wines are bottled and released about a year later. Needless to say, the wood notes are in the background here, as the lovely dark cherry and chocolate notes of the Aglianico variety shine through.
This long period of aging in mid-size and large casks also results in wines that have a rich, beautifully defined mid-palate. For me, whether we are talking about Taurasi, Brunello, Barolo or any great Italian red wine, a well-defined mid-palate greatly adds to a wine’s complexity and length, rounding it out and rendering it as a more complete wine.
Here are notes on the “Poliphemo” Taurasi of Luigi Tecce:
2009 - Deep ruby red; marvelous array of aromas – black cherry, menthol, tar and black plum and tobacco. Full-bodied with excellent concentration. Rich, layered mid-palate; beautifully balanced wine with nicely integrated wood notes, very good acidity and outstanding persistence. Complete and complex, this has a lengthy finish. Just a gorgeous wine, one of beautiful typicity and finesse and one that offers a distinct sense of place. Best in 20 years plus.
2008 – Lovely garnet color; aromas of dried cherry, currant, thyme and cedar. Medium-full with excellent concentration. Very good acidity (a signature of this vintage), elegant, polished tannins and very good persistence. Lovely, graceful wine. Not a powerhouse, but a wine of finesse. Peak in 12-15 years – although I may be a bit conservative with this estimate.
2007 – Deep garnet; aromas of bing cherry, dark chocolate and thyme. Medium-full with very good to excellent concentration. Rich mid-palate, excellent persistence, very good acidity. Best in 12-15 years.
2006 – Lovely garnet color; aromas of Queen Anne cherry, currant, tea leaf and a hint of strawberry. Medium-fulll with very good concentration. Very good acidity (once more!), lovely overall balance with beautifully polished tannins. A sublime wine, supple and elegant. Best in 15-20 years. Tecce noted that in 2006, it rained throughout August, resulting in a very late harvest (November 26!). How the difficulties of that growing season resulted in such a wonderful result!
2005 – Deep garnet; floral aromas (carnation) and hints of bing cherry and mulberry. Medium-full; the oak is quite subtle; soft tannins and lovely balance. This lacks the persistence and grip of the other wines, but again, it is a wine of supreme harmony. Best in 7-10 years, perhaps a bit longer.
2003 – Labeled as Irpinia IGT, but in all reality, a Taurasi. Deep garnet; aromas of dried cherry, hints of sage, dried currant and cedar. Medium-bodied; the tannins are a bit rough (relatively speaking, though other 2003 Taurasis have this same problem), balanced acidity, with excellent fruit persistence. Peak in 7-10 years.
2001 – Labeled not as Taurasi, but as “Omaggio a Varenne.” Deep garnet; lovely aromas of bing cherry and red roses. Medium-full with very good to excellent concentration. Silky tannins, precise acidity and a lengthy finish with outstanding persistence. A joy to taste, this is elegant with great finesse and is a great wine! Drinking beautifully now, this will be at peak in another 10-12 years.
These examples of Luigi Tecce “Poliphemo” Taurasi do not scream at you. Rather they are reminders that greatness in red wine, is above all, about elegance, finesse and drinkability. Bigger does not make better in my opinion and there are several noted producers of Taurasi that make more deeply colored and extracted wines. If you prefer that style, that’s fine. But for me, I will take the subtleties, intricacies and overall complexity of Luigi Tecce’s wines any day.
Annual production of the “Poliphemo” Taurasi is only about 5000 bottles; Tecce also makes approximately the same amount of another 100% Aglianico called “Satyricon” that is a Campi Taurasini DOC (basically a younger version of Taurasi that has not been aged for the minimum three years as dictated by the disciplinare). So while these wines may be difficult to locate, they are a must-try for any serious lover of Taurasi.
My thanks to Luigi Tecce for presenting these wines and to his friend Sabino Loffredo of Pietracupa for his help in organizing this tasting.
Taurasi Vineyard of Feudi di San Gregorio (Photo ©Tom Hyland)
My recent trip to Campania focused on red wines from this lovely region. This was a welcome opportunity, as I’ve always been entranced by the delightful whites from here, most notably Greco di Tufo, Fiano di Avellino and Falanghina; the best examples of these wines are evidence that not all great Italian whites are from Alto Adige or Friuli. So it was nice to further my education of the first-rate reds wines from Campania, wines that in my opinion do not receive the attention they deserve.
In my last post, I wrote about a superb red wine made primarily from the Palagrello Rosso grape, an indigenous variety of the Caserta province in northern Campania. I also tasted several first-rate examples of wines made entirely or primarily from Piedirosso, which varied from charming versions of Lacryma Christi rosso, produced from vineyards near Mount Vesuvius to more complex, ageworthy wines from the Benevento province. Given the nature of viticulture in this region, where there are so many small hills that create so many microclimates, it was fascinating to taste such varied and delicious wines.
But in all reality, when we’re discussing red wines of Campania, it’s the Aglianico grape that is most famously recognized. This includes blends (often with Piedirosso) from a number of provinces and while there are many superb wines from the Taburno zone in the province of Benevento, made solely from Aglianico, it is Taurasi, made from a small zone in the province of Irpinia that is the region’s most celebrated red wine.
I mentioned the Lonardo Taurasi “Coste” 2008 as one of the year’s best Italian wines in my last post and I also tasted several outstanding examples from producers such as Villa Raiano, Antonio Caggiano and San Paolo; truly the 2008 Taurasi – both normale and riserve – are something special and I’ll write more about these wines soon.
By now, you’ve probably noticed that I love Taurasi and why not? It’s a wine that when it’s at its best, can compete with the greatest red wines of the world. It’s a wine that can age 25 years from outstanding vintages and in some special instances, it even shows well after forty and fifty years – evidence of that will be noted later on in these posts.
Anotonio Capaldo, Feudi di San Gregorio (Photo ©Tom Hyland)
So while being able to sample so many examples of Taurasi during the Vendemmia Taurasi event in Avellino was a very special happening for me, imagine how I felt when I was able to attend vertical tastings of Taurasi from three celebrated producers: Feudi di San Gregorio, Luigi Tecce and Mastroberardino. I really was in heaven for a few days!
There were two verticals in one at Feudi; the first focused on the regular bottling of Taurasi, with the second dealing exclusively with their finest cru, Piano di Montevergine. The regular bottling has gone through numerous changes; one of the most important is the enologist that made the various wines. The oldest wines in this vertical were the 1998 and 1999, made by Luigi Moio, one of Campania’s finest consulting winemakers. The 1998 was in fine shape, with very good acidity and persistence; I noted that the wine would drink well for another 3-5 years. The 1999 was a step up, offering dried cherry, dried brown herb and cedar aromas with beautifully integrated wood notes, subtle spice in the finish, polished tannins and very good acidity. This is showing well now and will drink well for another 7-10 years. Both the 1998 and 1999 offer excellent varietal character and were made in a style that treasured overall harmony, rather than extreme ripeness or power.
The 2001, made by Riccardo Cotarella, is a wine with deeper extract that pushes the fruit to the forefront. It’s a different style that than of Moio, but given the beauty of the 2001 growing season, this is a highly successful wine, one with very good acidity and an elegant finish. There’s more of the dark chocolate notes that are common with Aglianico in this bottling as well as a touch of anise in the perfumes. Overall, it’s a very elegant wine that will be at its best in another 7-10 years.
The more recent vintages – namely 2007, 2008 and 2009 – were all impressive, with the 2007 and 2008 as 4-star wines (excellent) in my opinion, with the 2009 just a notch below that. Aromas of black cherry, black raspberry, plum and chocolate are common to each wine, with the 2008 offering slightly higher acidity than the other two examples. The 2007 has the stuffing to age the longest – perhaps another 7-10 years, but the 2008 has beautiful structure and may be in peak shape at the same time frame. Capaldo and his current director of winemaking Pier Paolo Sirch, have decided to cut back on small oak maturation of this wine, aiming for a greater percentage of large wooden casks, as Capalado believes small oak does not really show off the varietal character of Aglianico as well as the bigger barrels.
The second vertical of Feudi di San Gregorio Taurasi dealt with the Piano di Montevergine cru, located near the town of Taurasi. There were seven wines, from the oldest, 1996 to the youngest, the 2008, which will be released in the market later this year. This is a rich, full-bodied Taurasi that shows impeccable balance throughout, even in lesser years (I loved the 2002 version of this wine, which I had tasted a few years ago; this from a subpar growing season that offered lovely richness o the palate and sleek tannins).
Again the older wines – 1996 and 1998 – were made by Luigi Moio and are beautifully complete and complex. The 1996 in particular had advanced to another level, where tertiary aromas had developed with precise notes of truffle and dried cherry being accompanied by notes of thyme. Offering very good persistence, this was a wine nearing peak, which should arrive in another 5-7 years.
The 1998 was a bit fresher with very good acidity and beautiful structure; there were aromas of dried cherry along with a hint of mocha and the lovely ruby red color made this wine seem younger than fifteen years of age. Offering excellent persistence and a long, elegant finish, this is a wine of great breeding, finesse and varietal character; it is a remarkable wine with a definite sense of place. This has at least another 10-12 years of life ahead of it; I found it outstanding!
The 2001 is a solid wine with big weight on the palate as well as very good ripeness and good freshness. I rated this as excellent, estimating that peak drinking will be in another 10-12 years. The 2004 is deeply colored with very good ripeness as well as impressive acidity. The tannins are big, but not overpowering and overall the balance is excellent. Give this 15-20 years of cellaring before it reaches peak condition.
The youngest wines – 2007 and 2008 – are quite impressive; the former has expressive aromas of milk chocolate and purple iris flowers backed by big extraction and rich, young tannins. There is perhaps a touch too much wood in this wine, at least for my tastes, yet overall the balance is first-rate. This definitely needs time to settle down and should peak in 12-15 years.
Finally the 2008 is a remarkable wine and for me, the finest version of Piano di Montevergine Taurasi since the 1998. Displaying aromas of black cherry, milk chocolate and a hint of raspberry, this is a sensual wine that is a bit more subdued and less forward than the 2007. The tradeoff, however, is that the 2008 has ideal structure with very good acidity and excellent grip in the finish. The wood notes are beautifully integrated and the tannins are quite elegant. This is certainly great evidence of where the new direction of Feudi di San Gregorio under the leadership of Capaldo and Sirch is headed, as this is a textbook Taurasi that offers a lovely expression of terroir, all the while maintaining its focus on harmony – this is a wine definitely meant for the dinner table, although high scores are certain to follow (if that means anything to you). The 2008 Piano di Montevergine is one of the winery’s best offerings of the past five years; an outstanding wine, it will drink beautifully for at least another 15-20 years.
My thanks to Antonio Capaldo and his team at Feudi di San Gregorio for organizing this wonderful tasting!
Giovanni Ascione, Nanni Copè (Photo ©Tom Hyland)
Lists for the best wines of the year are usually compiled in December or early the following year. However, I tasted two red wines from Campania during my visit there last week that will definitely be among the finest of the year when I complete the list in another 8-9 months. In fact, these wines are not only among the best of the year to date, they’re among the single best Italian wines I’ve tried in the last two or three years.
The first is the 2010 Nanni Copè, the only wine made by Giovanni Ascione at his estate in the province of Caserta in northern Campania. Ascione crafts this wine primarily from the indigenous variety Palagrello Rosso; he uses up to 10% Aglianico in the blend as well. The wine is labeled for Ascione’s vineyard named “Vigna Sopra il Bosco” (“vineyard above the forest”) that was planted in 1987 (there is also a small amount of Casavecchia from a 120 year-old vineyard located nearby named “Vigna Scarrupata”). For Ascione, his Sopra il Bosco site is an obsession, as he has divided it into several sections, based on factors such as pruning, foliage management and harvesting approaches.
The wine has been produced from only three vintages to date; 2008, 2009 and 2010. I tasted all three wines with about a dozen other journalists in Campania last week; each offering is first-rate, with gorgeous fruit aromas (raspberry, black cherry) impressive concentration and ideal structure. While the first two releases are singular wines, it is the 2010 that really captured my attention as well as my heart. Deep garnet/crimson with aromas of black raspberry, black plum and a hint of licorice, it is medium-full with excellent concentration. There is outstanding persistence, lively acidity and beautifully polished tannins; the finish is very, very long. This is a wine of perfect balance, one that is seductive. I use a good number of words to describe my favorite wines and believe me, seductive is about as praiseworthy as I get for a red wine, as this gets into sheer pleasure, while at the same time, finesse. While this is simply sensational now, I expect this to be even better in a few years, with peak enjoyment in about 10-12 years.
By the way, when I told Ascione that the wine in my opinion was “molto seductivo,” he said, “that’s enough, no need to translate any further.” It was clear that he had succeeded in his goal of making this a memorable wine and he was happy to hear the praise.
The second brilliant red wine from Campania that I tasted during my stay was the 2008 Contrade di Taurasi Riserva Taurasi “Coste.” Also known as Cantine Lonardo for the family that owns the vineyards and cellar just outside the town of Taurasi, this is one of the area’s most outstanding producers, making their Taurasi in an ultra-traditional style, maturing the wines in large casks.
I’ve enjoyed their regular bottling of Taurasi for years and have had the good fortune to also taste their riserva Taurasi once or twice. For 2008 however, the Lonardos have decided to produce two separate cru bottlings of Taurasi: “Vigne d’Alto” and “Coste.” Both are superb!
The former offers lovely cassis, black raspberry and lavender aromas; medium-full, with a rich mid-palate, the wine has very good acidity and marvelous complexity. I predict this will drink well for 20 years plus.
All of the elegance and richness of the “Vigne d’Alto” are present as well in the “Coste” bottling, but this is an even better wine. The aromas include black cherry, black raspberry, marmalade, plum and a nice floral touch with a hint of violets. There is excellent concentration, while the mid-palate is layered. The tannins are polished, there is finely tuned acidity, outstanding persistence and impeccable balance. The harmony of all the components is really quite something and there is enough stuffing for this wine to be drinking well several years beyond its 20th birthday. It is also a great expression of terroir and a wine of superb varietal purity. In case you’re wondering, this is not an aggressive wine that needs time to settle down, rather it is supple and absolutely delicious! Of course, it will improve for many years, but it is a remarkable bottle of wine that can be enjoyed now. Congratulations to the Lonardo family for their excellent farming and brilliant winemaking.
I have to tell you that these riserve represent many things, above all the strength of the 2008 vintage, one that is not as forward as 2007, but offers far greater depth of fruit with ideal structure for aging. This could be just the thing needed to drive much more attention to this superb red wine from Campania, one that is sadly neglected, compared to its more famous counterparts from the north, such as Amarone and Barolo.
But perhaps – no more?
Final note: Many of the riserva Taurasi from 2008 are not released yet, but will be available in the market within a few months. Keep your eyes open for these wines.
Beyond Barolo and Brunello: Italy’s Most Distinctive Wines, my first book on Italian wines has been published.
I wrote this book to share my knowledge and insight of Italian wines after more than 50 trips to Italian wine regions over the past 12 years (I returned yesterday from my 56th trip). Too often people have the idea that Italian wine is limited to a few world-famous reds, such as Amarone, Barolo and Brunello. I have certainly included those wines in this book, as they are classics, but the focus of this book is on the great examples of everyday wines that truly represent the Italian wine scene.
Thus, I have written about excellent examples of wines such as Soave, Gavi, Dolcetto, Chianti Classico, Verdicchio and Taurasi to name only a few. I have written about beautiful wines from every region in Italy, ranging from sparkling wine from Valle d’Aosta in the far northwestern reaches of Italy to Passito di Pantelleria, the marvelous dessert wine from a tiny island just south of Sicily.
I’ll keep this post short. If you love Italian wines or need to know more about this subject (who doesn’t?), then I think my book is meant for you.
Tiziano Accordini, Stefano Accordini winery (Photo ©Tom Hyland)
A few weeks ago, I made a quick trip to Verona to attend the annual Amarone Anteprima event. These anteprima tastings, which are held in various wine zones in Italy, are preview tastings for journalists, who are presented with the opportunity to taste new releases several months before the wines are released.
Of course, Amarone is a wine that takes years to display its complexities, so it’s important to remember that when tasting wines that are not yet available in the market. This year, it’s especially important, as the wines we tasted were from the 2009 vintage, a warm, sometimes hot growing season that produced big, forward wines that are not typical for this area.
That’s not to say they’re not good, as I tasted several excellent wines. But keep in mind that 2009 followed 2008, which was a stellar vintage. The 2008s have not only excellent concentration, but also very good acidity and marvelous structure – some of the top examples of 2008 Amarone will be at their peak in 20-25 years, something that I doubt will be the situation with the 2009s.
Also when passing on my judgment of the best wines I tasted during this event, I have to note that some of the finest artisan estates were not participating for various reasons. I do think that given the vary nature of Amarone as a wine that requires patience on the part of the drinker, there are some producers who simply believe that showing their new Amarone in January won’t be of any use, as they would prefer to wait at least six months or longer to taste out their wines with critics and consumers.
That said, 2009 could shape up to be a very nice vintage, though it will probably be one that will be overlooked, especially given the classic style of the 2008s as well as the powerful 2006s, many of which are still on the market.
Here are the best examples of 2009 Amarone I tasted at the anteprima tasting in January:
Stefano Accordini “Acinatico” (always a fine wine with good typicity)
Zecchini (particularly excellent with admirable restraint)
Cantina di Soave “Rocca Sveva” (another fine Amarone from this producer – ripe and tasty)
Corte Sant’Alda (nice structure and impressive complexity)
Cavalchina (lovely freshness; strawberry and cherry fruit)
Monte del Fra (nicely balanced with good typicity)
I Scriani (very impressive balance and persistence)
Novaia ( elegant and delicious with beautiful complexity – a lovely wine!)
Look for these bottlings of 2009 Amarone to appear in the marketplace in the fall of this year.
Ca’ del Bosco winery, Erbusco, Franciacorta (Photo ©Tom Hyland)
It’s time to reveal a partial list of some of the year’s best Italian producers in my opinion. In this post, I’ll include a mix of estates from various regions, producing an array of wines from sparkling to white to red. The complete list of the year’s best Italian producers and wines will be published in the Spring issue of my Guide to Italian Wines, which will be sent to paid subscribers at the end of March.
CA’ DEL BOSCO – This esteemed producer, under the guidance of Maurizio Zanella, has been among the very finest Franciacorta houses for many years. 2012 and early 2013 saw the release of the 2008 vintage-dated wines; the Satén is first-rate and among the most complex examples of this wine I have ever tasted. This past year also saw the second release of the Anna Maria Clementi Rosé – this from the 2004 vintage, which spent seven years on its yeasts! This is an explosive wine, one of the world’s greatest sparkling rosés. (US importer, Banville and Jones)
FERGHETTINA – Managed by the Gatti family, this is another accomplished Franciacorta producer. Their Extra Brut – 2006 is the current vintage – has become their most celebrated wine; a blend of 80% Chardonnay and 20% Pinot Nero that was aged for six years before release, is full-bodied and very dry with a long, flavorful finish and beautiful structure. As good or perhaps even better is their 2004 Pas Dosé (meaning no dosage) “Riserva 33″, so named as it is a blend of one-third of their Satén, one-third Milledi (a 100% Chardonnay sparkler from older vineyards) and one-third Extra Brut. This blend, aged for seven years on its yeasts, is a lovely wine of outstanding quality. In case you haven’t noticed, Franciacorta producers such as Ferghettina and Ca’ del Bosco – as well as several dozen others – have been refining their offerings each year, crafting products that are among the finest sparkling wines in the world. (US importer, Empson, USA)
Elena Walch (Photo ©Tom Hyland)
ELENA WALCH – Actually, the way it’s been going as of late, I could name the Elena Walch estate in Tramin, Alto Adige as one of the best producers every year in Italy. This year saw the release of her 2011 estate whites and they are all lovely. Especially notable this year are the Sauvignon “Castel Ringberg” with its spot-on notes of spearmint, rosemary and basil; the Pinot Grigio “Castel Ringberg” with its luscious fresh apple and dried yellow flower notes and the Gewurztraminer “Kastelaz,” always one of the best of its type in Italy. (Various US importers)
VILLA RAIANO - This Campanian estate has reinvented itself over the past two years and the results are extremely impressive! The regular examples of Greco di Tufo and Fiano di Avellino from 2011 are nicely balanced with notable varietal purity, while the selezioni versions of these wines are first-rate, especially the 2010 and 2011 “Contrada Marotta” Greco di Tufo, which is one of the top ten examples of this wine, in my opinion. The 2008 Taurasi, produced in a traditional manner to emphasize the gorgeous Aglianico fruit, is a 5-star (outstanding) wine! (US importer, Siena Imports)
Alessandro Castellani, Ca’ La Bionda (Photo ©Tom Hyland)
CA’ LA BIONDA- Quite simply, this is one of the premier producers in the Valpolicella district. The Castellani family crafts wines in a traditional manner – maturing in large casks – that render wines that display the true anima of this territory – these are wines that offer a sense of place. Two outstanding releases over the past fifteen months are prime evidence of the greatness of this producer: the 2001 “Casal Vegri” Valpolicella Superiore and the 2005 Amarone Riserva “Ravazzol.” The latter is a sumptuous, remarkably elegant Amarone with tremendous finesse as well as impressive depth of fruit, while the former is a Valpolicella that was aged for 10 years before release; this wine shows the true potential of Valpolicella, a wine type that too often gets lost next to Amarone. Both wines are outstanding. (Various US Importers, including Connoisseur, Niles, IL)
If you’re a lover of Barolo, you are certainly familiar with great cru offerings from some of the most celebrated producers; these include wines such as Briccco Rocche from Ceretto, Bricco Boschis from Cavallotto, Rocche from Renato Ratti or any one of several from Roberto Voerzio (Brunate, Cerequio, La Serra, et al). There are dozens of other great cru Barolos from many other renowned estates, but one I’m certain most people haven’t heard of is the Bussia Soprana “Vigna Mondoca” from Oddero.
Located in Santa Maria, a frazione of La Morra, in the heart of the Barolo zone, this distinguished family firm under the direction of Mariacristina and Mariavittoria Oddero has quietly become one of the most consistent and most highly regarded of all Barolo houses. The quality level is routinely excellent and has been steadily improving for the past decade.
Oddero produces as many as six different examples of Barolo per year, including one blended from La Morra and Castiglione grapes along with several cru bottlings, including Villero from Castiglione Falletto, Vigna Rionda from Serralunga d’Alba and Rocche di Castiglione from Castiglione Falletto. These vineyards are quite famous; other producers also craft single vineyard wines from these sites.
But it is the Bussia Soprana “Vigna Mondoca” that may just be the finest Barolo produced by Oddero, although it is nowhere as famous as their other wines. The vineyard itself is quite unique, comprised of white/grey marls and yellow sands with more limestone than clay. At the top of the hill (1180 feet above sea level), the soils are almost completely white, leading Mariacristina Oddero to comment that it looks “like lunar soil.”
Mariacristina Oddero (Photo ©Tom Hyland)
Oddero acquired their section of this vineyard in 1970 and has never replanted, so the vines are at least 40-45 years old. Typical of a Barolo from the commune of Monforte d’Alba, this is a wine with firm, abundant tannins, so much so that the proprietors have made the decision to hold on to this wine one extra year before releasing it in the market. So while the current release of the other Barolos from Oddero, such as Villero, is 2008 (these were released a few months ago in 2012), the new release for the “Vigna Mondoca” is the 2007 – the 2008 will not be released until the fall of 2013.
I’ve recently tasted the 2007 and 2006 versions of this wine and I rated both as 5-star (outstanding) wines. The 2007 is much more intense and powerful than the typical 2007 Barolo, as this vintage produced many forward wines with medium-weight tannins. But the Oddero “Vigna Mondoca” from 2007 is a wine that needs a lot of time to shed its youthful tannins and settle down; in my notes, I have estimated that peak drinking for this wine will be in 20-25 years.
As for the 2006, this wine really displays its breeding and class along with the intensity and rich concentration of that wonderful vintage. Offering marvelous aromas of currant, dried cherry, balsamic, orange peel and cedar, this is a tightly wrapped wine that is an superb representation of this site; it is intense, yet beautifully balanced, so the wine should be in excellent condition when it peaks in 25-20 years.
The proprietors mature this wine each vintage in 40, 60 and 75 hectoliter (4000, 6000 and 7500 liter) Slavonian and Austrian oak casks for 30 months; this allows for beautiful expression of terroir, as the large casks let the Nebbiolo fruit characteristics emerge without being overwhelmed by too many wood notes. This gives the wine a unique identity, something that is a shared trait with other great examples of Barolo or many other superb red wines of Italy and the rest of the world.
Compliments to the Oddero family on such a superb wine each vintage. As with anything that is truly great, this is not easy to find (only about 30,000 bottles are produced in a year), but the search will undeniably be worth it!