Verdicchio grapes ready for harvest (Photo ©Tom Hyland)
Here is part three of my favorite wines from my recent Italian trip; this installment is about the best white wines from Marche.
When you talk about white wines from Marche, it’s all about Verdicchio. There are sparkling versions – (some quite, quite good), dry versions, dessert styles and maybe most importantly, older bottlings. I say this as Verdicchio is among the white wines that has the greatest aging potential, not only in Italy, but anywhere (and this includes white Burgundies). I’ll write a post about Verdicchio soon – the wonders of this grape, why it isn’t better known, et al soon, but for now here are notes on a few of the best I recently sampled in the area.
Villa Bucci has become for many, the most famous producer of Verdicchio dei Castelli di Jesi, a Verdicchio from a beautiful, gently hilly area in northern Marche (there is another Verdicchio DOC – Verdicchio di Matelica – that is also quite expressive). The classic 2012 version (2012, as I’ve mentioned in previous posts, is an excellent vintage for white wines throughout Italy), is a beauty, with aromas of acacia flowers, Bosc pear, jasmine and spearmint (the perfumes of a young, unoaked Verdicchio are irresistible) backed by very good depth of fruit, good persistence and very good acidity. Enjoy this over the next 3-5 years.
The Riserva Villa Bucci 2009 is outstanding; matured for two years in older barrels, there is a light creaminess in the aromas that accompany notes of hyacinth and orange blossom – just lovely! Medium-full with excellent concentration, this has outstanding persistence, a long, long finish and lovely finesse. What an outstanding wine! I also tasted three older vintages of this wine: the 2008, 2007 and 2004, each of which was excellent ,with the 2004 offering the greatest complexity, but the 2009 was in my judgment, the finest of all these wines. Look for this wine in a few months, as this continues the ultra impressive track record of this producer with this beautiful wine.
Stefano Antonucci (Photo ©Tom Hyland)
Somehow the wines of Stefano Antonucci from Santa Barbara are not that well known in America; this is a true shame, as these are some of the most vibrant, most distinctive examples of Verdicchio dei Castelli di Jesi being produced today. I tasted previous vintages in 2012 when I was writing my book on Italian wines and was very impressed, especially with the 2010 Stefano Antonucci Riserva, one of the finest examples of Verdicchio I have ever tasted. The new releases did not disappoint, starting with the 2012 Verdicchio “Le Vaglie,” which is highly aromatic (lilacs, Anjou pear, jasmine), with beautiful varietal focus and is absolutely delicious! For an Verdicchio that runs about $15 retail in the States, this is a steal!
The 2011 Riserva, is richer on the palate and has some oak influence, although there is so much fruit, you might not even notice the wood. The mid-palate is quite lush and there is outstanding persistence; although 2011 was not as acclaimed a vintage as 2010 or 2012, here is proof that the producer is always more important than the vintage. This is beautiful now, but if you can wait another year or two, it will greatly improve and it should peak in 7-10 years – an outstanding wine!
One of the most consistent producers of Verdicchio is Umani-Ronchi; they have received the Tre Bicchieri award from Gambero Rosso on several occasions and their 2009 “Casal di Serra Vecchie Vigne” was named Italy’s Best White Wine of 2012 from this same publication. I tasted te 2010 version of this wine and it is rock-solid with appealing golden apple and spearmint aromas backed by excellent depth of fruit. The wine that really impressed me was the 2009 Verdicchio Riserva “Plenio”; produced from a single vineyard. The name comes from the Latin word for “full,” an apt descriptor for this wine, which is partly aged in steel tanks and partly in large barrels; about 10%-15% of the wine undergoes malolactic fermentation. What a wine this is! Medium-full with excellent concentration and a rich mid-palate, there are aromas of spiced apple and golden flowers along with very good acidity and excellent complexity. 2009 was a marvelous vintage for Verdicchio as the wines are quite rich – in some cases, such as this one, almost fat on the palate – and there is also a distinct minerality to this wine. This was an eye-opener for me; Umani-Ronchi is a large producer, but give enough attention to your wines and source grapes from the finest sites and you can produce great wines; this 2009 Plenio is an example of that; this should peak in 5-7 years, although I may be a bit conservative with that estimate.
A few other examples of Verdicchio of note that I tasted this past September in the area. Sartarelli is a notable producer; their entry level Verdicchio is quite good. Most impressive is the 2010 Balciana, made from late harvest grapes; offering exotic aromas and excellent persistence, this will drink well for another 5-7 years.
From Garofoli, headed by the gracious and always smiling Daria Garofoli, the 2011 “Podium” and the 2006 Gioacchino Garofoli Selezione” are both excellent; the former a first-rate example of Verdiccchio with a rich mid-palate and the latter, a marvelous wine with cinnamon and spice flavors from oak aging; this will drink well for another 5-7 years.
Finally, a shout out to Colonnara, an excellent cooperative producer in Cupramontana, one of the most historic sites for Verdicchio dei Castelli di Jesi, a thank you for a marvelous vertical tasting of their Cuprese bottling. The current 2012 release offers lovely jasmine and lemon zest aromas along with very good depth of fruit and lively acidity; look for this wine to drink well for several years.
I also tasted this wine from the 2010, 2001 and 1991 vintages- each was quite special. The 1991 Riserva – now some 22 years old – was in great condition, with notes of honey and orange blossom in the aromas; displaying marvelous texture and excellent complexity along with vibrant acidity, this is a great wine! It’s also exhibit number one, in my opinion, of how well Verdicchio ages.
Piero Mastroberardino (Photo ©Tom Hyland)
My recent 18-day trip to Italy was filled with so many great wines; this is part two of my report, focusing on the best whites I tried from Campania.
One important thing that the newly released 2012 whites from Campania and other great white wine regions such as Marche and Alto Adige (I’ll review these whites in my next post) have is their amazing quality, as 2012 is an excellent, even outstanding vintage for white wines not only in these areas, but all throughout Italy. I’ll write a post about this vintage soon; it really is amazing, but I’ve had 2012 whites from Piemonte and Umbria – regions better known for red wines – that are first rate and among the best I’ve tasted in recent years from these areas.
So imagine how good the 2012 whites are from zones such as Greco di Tufo and Fiano di Avellino in Campania. Ironically, it didn’t seem as though 2012 was going to be much of a year at all for distinctive whites, especially early on, as the warm temperatures rushed ripening a bit. But according to several producers I spoke with there, rains in September slowed things down and allowed more hangtime, thus resulting in wines of more pronounced aromatics and better natural acidity, as compared to 2011, a very nice, but not great vintage (the 2011 whites are rich and slightly more alcoholic, so they grab your attention, but as a rule they will not age as long as they are not as well structured).
Now on to the wines. I have just written an article on Campanian whites for the 2014 Italian supplement to Decanter magazine in England, so you will be able to read a more detailed analysis of some of these wines when my text is published in February. For now, I will offer a few brief thoughts on a few of the best I tasted, starting with the 2012 Greco di Tufo from Feudi di San Gregorio. There has been a lot of excitement at this esteemed firm over the past several years, as proprietor Antonio Capaldo has been investing in a great deal of research in vineyard and cellar work, bringing in Pier Paolo Sirch to ideintify the finest lots of Greco, Fiano and Falanghina (I tasted one single vineyard offering of Falanghina – a wine that will not be released on the market – and was excited to taste such a distinctive wine, one with great persistence and ideal harmony with this variety. Falanghina has been a very successful wine in many markets over the past few years; I think we are on the forefront of greatness with this wine).
The 2012 Serrocielo Falanghina from Feudi is a solid 4-star (excellent) wine, displaying distinct aromas of green tea and chamomile along with notes of lime and melon. The Pietracalda Fiano from 2012 offers inviting perfumes of lemon peel and pineapple; there is also distinct minerality and a lengthy finish. The Cutizzi Greco di Tufo, which I have reviewed in the Decanter article is one of the finest produced to date, but the real surprise here is the classic Greco di Tufo from 2012. Capaldo has begun a new program of single vineyard offerings, beginning with the 2012 vintage. He decided to start with Fiano, while the best sites for Greco were blended into one wine. This is as good an entry level Greco di Tufo as you will find, with lemon zest, Anjou pear and lemon zest aromas along with a touch of almond. Offering a rich mid-palate and notable persistence, this is a delightful wine for clams or other shellfish and is a wonderful value, given the $22 retail price (approximate) on American shelves (the wine is just coming into the market, so it may be another month or so before you find it. Palm Bay is the importer).
Mastroberardino, is of course, the most historic winery in Campania and the one that made today’s explosion of Greco and Fiano possible, thanks in great part to the work of Antonio Mastroberardino in the late 1940s and early 1950s, when his work in the vineyards helped save the varieties. His son Piero, current managing director of the firm, has respected his father’s efforts and has expanded upon them; the lineup of white wines from Mastroberardino these days is outstanding.
Please take note of that last sentence; yes, the white wines from Mastroberardino are first-rate. Everyone knows that the winery has become world-famous for its magnificent Taurasi, a version that one would have to designate as the standard bearer for this wine. It’s so famous that their whites are routinely overlooked; one could understand that ten or fifteen years ago, as the Mastroberardino whites back then were well made with good varietal character, but over the last decade or so, the wines have taken a noticeable leap in quality. Much of this is due, as Piero has told me numerous times, to the acquisition of new vineyards in various zones along with implementation of planting the best clones at these sites.
Briefly, the Mastroberardino 2012 whites are flawless, most notably the elegantly styled Greco di Tufo “Nova Serra” and the tantalizing Fiano di Avellino “Radici” (the favorite white of Piero from this vintage). Both wines have gorgeous varietal purity and the overall harmony is just beautiful. But I also need to mention the absolutely delicious Falanghina “Morabianca” from 2012; this is a relatively new project for the winery, as Piero and his team have planted this variety in Irpinia and not in Benevento, which is where many local producers source their Falanghina. This has an added richness in the mid-palate and a lengthy finish that give this wine its special character; this wine is also better than previous efforts due to additional vine age, so combine that with the excellence of the 2012 vintage and you have a very special wine! (Note: this wine is imported in the US by Winebow. You may not yet find the 2012 bottling, but it will arrive soon, if it hasn’t already. Now if the importer could only be convinced to bring in the “Radici” Fiano and the “Nova Serra” Greco.)
Milena Pepe, Tenuta Cavalier Pepe (Photo ©Tom Hyland)
From Tenuta Cavalier Pepe, under the direction of the effervescent Milena Pepe, the 2012 whites that stand out are the Coda di Volpe “Bianco di Bellona” and the Greco di Tufo “Nestor.” The latter has been a favorite of mine or some time now and is profiled in my book Beyond Barolo and Brunello: Italy’s Most Distinctive Wines; the 2012 is beautifully made. But it is the Coda di Volpe that really surprised me here, as this tends to be a variety that is not given the same care or respect as Greco or Fiano; indeed it is often used as a blending grape in Greco di Tufo or is the principal variety in Lacryma Christi del Vesuvio Bianco, a wine that is too often categorized as a summer sipper. But here was an example of Coda di Volpe with inviting aromas of lemon zest and magnolia flowers along with lively acidity, good persistence and a light touch of minerality. It’s a lovely wine, one with simple charms and when I told the enologist how much I loved the wine, he did a little dance!
Other impressive 2012 whites from Campania I tasted were the Villa Raiano Fiano di Avellino “Alimata” and the Greco di Tufo “Contrada Marotta” (the latter is profiled in my Decanter article; this has become one of the best examples of its type over the past three vintages- the 2010 tasted during this trip was the finest Campanian white I tried; if you have a bottle, savor it, as it will be in fine shape for another 3-5 years). Also keep an eye on the classic level offerings of Greco di Tufo and Fiano di Avellino from Villa Raiano from 2012; they are lovely wines, just a bit lighter than the cru offerings, with the Greco being especially noteworthy.
At Donnachiara, proprietor Ilaria Petitto was thrilled to have me taste her two new wines from 2012, the Fiano “Esoterico” and the Greco “Ostinato” that are limited production wines made from late harvest grapes picked in early November. The Fiano is an exotic wine, one that offers perfumes of honey, golden apple, mango and saffron and has excellent depth of fruit and is lush, almost oily on the palate. While her traditional Fiano di Avellino is treated only in stainless steel, this version is 20% barrique-fermented and then aged in barrique for 20 months. It’s quite a statement. (Incidentally, this is not labeled as Fiano di Avellino, as it was not tasted with the commission that approves wines to be labeled as DOCG).
As for the Greco “Ostinato” (some of the grapes are from outside the approved Greco di Tufo zone, so it cannot be labeled as such), it is produced in a similar manner as the Fiano (the fermentation here is extremely cold and lasts 12 months); the wine displays exquisite aromas of orange zest, pineapple and a touch of honeysuckle. Medium-full, there is excellent concentration, beautiful acidity and a light nuttiness in the lengthy finish (the persistence is outstanding). This is a wine of marvelous complexity, one that is exotic and distinct; I give the wine a 5-star (outstanding) rating and estimate that it will peak in 10-12 years. These two new wines from Donnachiara are prime evidence of the new direction being undertaken by the producers of Campania – brava, Ilaria!
Sabino Loffredo, Pietracupa (Photo ©Tom Hyland)
A few final thoughts. As expected, the 2012 Pietracupa Greco di Tufo and Fiano di Avellino are outstanding wines; the Greco with its gorgeous aromas of jasmine, lemon zest and magnolia flowers and beautiful ripeness, is especially memorable. Winemaker/proprietor Sabino Loffredo is among Italy’s most accomplished vintners and these wines serve as reference points for their category. Every wine he produces is a true statement of typicity, displaying great varietal purity along with a true sense of place. Also two examples of Fiano di Avellino from 2011, the Ciro Picariello and the Villa Diamante “Vigna della Congregazione” are powerful styles of this wine (especially the latter) and are evidence that 2011 was an excellent year that has been overlooked, sandwiched between the outstanding 2010 and 2012 vintages.
Maiori, Costa d’Amalfi (Photo ©Tom Hyland)
Finally, I tasted an example of Biancolella that was arguably the finest I have ever come across. It’s from Raffaelle Palma and it’s called Pietracroce. This is a DOC Costa d’Amalfi wine from Palma’s stunning estate in the small seaside town of Maiori. Brilliant light yellow in color with a hint of copper, this has striking aromas of kiwi, honeysuckle and pineapple and offers vibrant acidity along with a lengthy finish with notes of green tea. Beautifully balanced and quite delicious, this is another accomplished wine from Vincenzio Mercurio, one of Campania’s most highly regarded enologists. This lovely wine is from the 2011 vintage, incidentally; I can’t wait to taste the 2012 offering!
Camilla Lunelli, Ferrari (Photo ©Tom Hyland)
My most recent trip to Italy was a wild ride – six regions in 18 days, most of it during the beginning of harvest in several wine zones. From Campania in the south to Marche and then Umbria in the middle and then Piemonte, Alto Adige, Trentino and Veneto in the north, I enjoyed numerous excellent meals and dozens of first-rate wines, so let’s get right to them.
In case you aren’t that familiar, there are some excellent, even outstanding sparkling wines made in northern Italy. Of course, Franciacorta has been one of the reference points for Italian sparkling wine the past four decades and the wines as a whole have improved dramatically over the past five to ten years. I didn’t get to visit this area during this trip, but I did enjoy the Bellavista Satèn Gran Cuvée a 100% Chardonnay that is one of the finest of this type (Satèn is under less pressure than other examples of Franciacorta; the name refers to “satin” or “silky” for its ultra smooth finish) I have ever tasted. Quite rich with delicious fresh pear and green apple flavors, this is rich with marvelous complexity and a great example of finesse in a sparkling wine.
Another area that has come on in recent years for its sparkling wines is the Alta Langa district of Piemonte; as the name suggests, the vineyards are planted at high (alta) elevations to ensure good acidity and structure. While this is a category that is small (less than 20 producers) and while the consistency is not quite where it should be, there have been some excellent examples, none more so than the Enrico Serafino “Zero” 2006. A blend of 85% Pinot Nero and 15% Chardonnay, this is a metodo classico product (as with Franciacorta) that is ultra smooth and irresistibly delicious. The Zero designation refers to the dosage, so this is quite dry, yet it is not austere, as the acidity is nicely balanced without being exceedingly high. The wine spent more than five years on its yeasts, rendering a product of marvelous complexity; there is a light yeastiness in the aromas and the perlage is very persistent. This is a beautifully balanced wine, one that is just a pleasure to drink with a large variety of foods, from lighter seafoods to veal or poultry.
Roberta and Antonio Stelzer, Maso Martis (Photo ©Tom Hyland)
If there is an area that challenges (and perhaps surpasses) Franciacorta for the quality of its metodo classico wines, it is Trento DOC, situated in and around the town of Trento in Trentino-Alto Adige. Generally speaking, this is a cooler area than Franciacorta, so the wines as a rule have excellent acidity and notable structure.
One of the very best producers here is Maso Martis; the proprietors are Roberta and Antonio Stelzer, a truly lovely and gracious couple. These are wines of great precision, ones where structure means almost everything to the wine; there is plenty of fruit, but ripeness does not come as the cost of overall balance. Every wine I tasted here during my visit was excellent; if I have to select one it would be the Brut Riserva Millesimato 2007. A blend of 70% Pinot Nero and 30% Chardonnay, the wine spent between 52-60 months on the lees and was aged in 2nd and 3rd passage barriques. Offering very good to excellent concentration, with expressive aromas of dried pear, yeast and dried yellow flowers, this is a rich, very dry sparkling wine with excellent persistence and beautiful purity. It is an absolute must for food, be it raw fish or roast pork. This will improve with some time; my estimate is that will show its best in 5-7 years. (A big thank you to my friend Aurora Endrici, a local publicist and journalist, for introducing me to this couple and their remarkable wines.)
Of course, the most famous producer of Trento DOC is the great firm of Ferrari, owned by the Lunelli family. I was able to meet with the three siblings who are most responsible for the current production: Camilla along with her brothers, Alessandro and Matteo, who also serves as winemaker. There has been so much written about this house and the quality of its wines; there is little I can add, except that this family is remarkably generous with their time, as they are very interested in one’s opinion. They also take their responsibility as ambassadors for their wines and those of Trento DOC very seriously; this is a company that is run with great professionalism.
It’s a difficult challenge to select only one wine from Ferrari as my favorite (but I’m up to the task!). I tried eight different cuvées, ranging from the delicious 2007 Perlé Rosé to the 2001 Riserva Giulio Ferrari, a wine that is truly exceptional in its breeding, complexity and finesse. However, my choice (at least for this trip) is the Perlé Nero 2006, a 100% Pinot Nero that was aged for six years on the yeasts. If the Riserva Giulio Ferrari is the most sublime of all the Ferrari wines, the Perlé Nero is the most powerful. Deep yellow with a very fine perlage, this displays explosive aromas of coffee, dried lemon peel and hyacinth (very distinctive!) and is full-bodied with excellent depth of fruit. There is vibrant acidity, outstanding persistence and notable complexity. This is a bambino, as they say in Italy, as the wine is in its infancy; this will will improve for quite some time, at least seven to ten years. This is so wonderful by itself, but it is an absolute brilliant match for roast veal or lamb. (I noted that this is the cuvée from Ferrari that most resembles Champagne in its power and yeastiness, yet I don’t want to give the impression that the other wines from the producer are not of the quality of Champagne, as they certainly are; they are merely a more subdued, fruit-driven style that has elevated this house to the top of the sparkling wine pyramid in Italy).
My final thought on this Perlé Nero 2006 is simply this; it is among the four or five best Italian sparkling wines I have tasted in the last five years.
My next post will feature many of the finest whites wines – most of them being from the outstanding 2012 vintage – I tasted during my trip in September.
My next post will feature the best wines I tasted during my recent 18-day trip to Italy that covered six regions. I will write about several outstanding 2012 whites from Campania, Alto Adige and Marche as well as some notable examples of Dogliani along with an excellent Alta Langa as well as several other wines.
But for this post, I am singling out the very best wine I tasted during my trip, the 2010 Cantina Tramin Gewürztraminer Late Harvest “Terminum.” The reason I am writing about this wine separately is simple – this is a wine that is perfect in every respect. I say that with all seriousness, as I don’t like to use the word “great” very often, as it is overused these days. So you can imagine how rarely I use the word “perfect” to describe a wine. But this wine clearly earns that praise!
Cantina Tramin is a cooperative winery in Alto Adige, arguably the finest; for me, I know of virtually no other producer in all of Italy that has as varied a lineup of wines with such high quality. Of course, their “Nussbaumer” Gewürztraminer is one of Italy’s greatest whites every year, as is their blended white “Stoan” (a melange of Chardonnay, Sauvignon, Gewürztraminer and Pinot Bianco), but I also give extremely high marks to their “Unterebner” Pinot Grigio (about as good as this variety gets in Italy), “Maglen” Pinot Nero, “Urban” Lagrein and even their “Fresinger” Schiava; this last wine a must-try, as you won’t believe a Schiava can be so delicious!
Gewürztraminer grapes in Solva that will be used by Cantina Tramin (Photo ©Tom Hyland)
The grapes used for this wine are at elevations between 1300 and 1700 feet above sea level in the frazione of Solva, high above the town of Tramin. This is a late harvest wine; clusters are picked in mid-December, while the wine is fermented and aged in French oak barrels. 2010 was an excellent vintage in this area, not too warm (as with several recent vintages), so the grapes maintained their natural acidity and the resulting wine has expressive aromatics.
My tasting notes: Deep golden yellow/amber; aromas of apricot, honey, golden poppies and a hint of custard. Medium-full with excellent concentration, this is lush with a rich mid-palate, while the finish with quite long with a touch of sweetness, which is tempered by the excellent acidity. There is outstanding persistence, beautiful complexity and amazing varietal purity. The finish just goes on forever- this is a great, great wine! Best in 7-10 years.
As I sampled this wine with a colleague from Alto Adige as well as winemaker Willi Stürz, my friend and I looked at each other at the same moment we tasted our first sip. We each had a look in our eyes and without saying anything, we knew what the look meant – we had found perfection!
You must do what you can to find a bottle, as this is an unforgettable wine! (Imported by Winebow)
Mauro Sebaste and his daughter Sylla (Photo ©Tom Hyland)
Let me start with an analogy. Many of us love dreaming about flashy sports cars, but the truth is that most of us will never own one; they’re too expensive and they really don’t fit our lifestyle. The same holds true for watches that cost several thousand dollars or mansions that run into the millions.
The same thinking often comes to being with wine; people love to read about the most expensive, longest-lived red wines, ones of great breeding and class. The editors at the most influential wine publications know that, which is why the 100-point scale is in use these days. Hey, wouldn’t you prefer a 95 or 97-point wine as compared to a 91 or 92-point wine? The editors are betting you will – as are the producers that receive the higher scores.
But let’s wait a bit. What do those scores really mean? I could go off on this at great length, but basically, this is a case of “bigger being better.” Whatever you think about a particular wine or group of wines, you have to admit there’s not right or wrong at play. If you like a bigger wine, fine. But there are many of us that would rather have a more delicate wine, especially if we are trying to find the ideal match with food.
All of this brings me to the wines of Mauro Sebaste in Piemonte. I first met him in Chicago more than a decade ago and recently visited him at his winery near Alba, in the heart of the Barolo zone. I find him to be a gentleman, one who goes about his business in a professional, thoughtful and relatively quiet manner. It’s a bit of a cliché, I suppose, but he prefers that the wines speak for themselves.
It’s the same understated qualities of the man that are on display in his wines. These are not powerhouse, showy wines meant to “wow” you, but rather, they are beautifully balanced wines that display excellent varietal character; for me, that’s what I seek and I think it’s what a lot of wine drinkers prefer.
In their 2013 Guide, Gambero Rosso, the Bible of Italian wine publications, mentions that these wines “are not overly extracted and faithfully reflect the character of their individual terroirs.” This is a valuable assessment of Sebaste’s wines and it’s that first part of the sentence I want to focus on, as those wines that get the high point ratings I referred to earlier are generally deeply extracted to obtain the deepest colors and get every fruit essence they can from the grapes. The results are often like jam, not wine; if that’s what you like, fine. But upon further examination, the best wines are about balance and expression of the site where the grapes are grown. That’s what Sebaste brings to all his wines.
Briefly then, don’t look for the highest scores or the most precious descriptors for the wines of Mauro Sebaste. But be prepared for elegant, flavorful wines that are well made and a pleasure at the dinner table. Here are notes on wines I tried with Mauro earlier this year at his winery:
2012 Roero Arneis - Appealing Anjou pear and melon aromas; medium-bodied, very appealing, with excellent varietal character. Very good acidity, this is sleek and beautifully balanced. This would be a wonderful partner with a vegetable risotto. (Very good to excellent)
2011 Barbera d’Alba “Santa Rosalia” – Bright purple; black cherry and black plum aromas. Medium-bodied, good acidity with a slightly tart finish. Nicely balanced with very light tannins and notable varietal character. A bit of an old-fashioned Barbera, one that’s not over-oaked or tricked up, but nicely made for food, be it pizza or roast veal. (Very good)
2009 Barolo Prapò – This is from the famed cru in Serralunga d’Alba. Lovely delicate garnet color (again, not overextracted); expressive aromas of cedar, dried cherry, orange peel, rose petals and a hint of tar – just lovely! Medium-full with elegant tannins, good acidity and a clean finish of good length. While not as complex as recent vintages (especially the 2008), this is a well made wine and a notable example of the understated style of the Mauro Sebaste Barolos. Best in 12-15 years. (Very good to excellent)
Incidentally, I wrote about this wine, the Mauro Sebaste Barolo Prapò, in my book, Beyond Barolo and Brunello: Italy’s Most Distincitve Wines. Here is an excerpt from that text:
“This is a classy Barolo that expresses its terroir in a graceful manner. It’s made in a style that offers approachability upon release, as it’s not a tightly wrapped wine, yet it will clearly offer greater complexity at twelve years of age and older; the best vintages will drink well for as long as 25 years.”
(Clearly, I enjoyed writing about this wine almost as much as I loved drinking it! I always wish to find wines like this – ones that are true to their variety as well as heritage.)
2007 Barolo “Brunate” Riserva – The Brunate cru, situated in La Morra, is one of the famous in the entire Barolo zone. Deep garnet; aromas of dried cherry, dried currant, orange peel and a note of tobacco. Medium-full with a generous mid-palate. Long finish, excellent persistence, good acidity and nicely balanced tannins. Best in 12-15 years – perhaps a bit longer. (Excellent to outstanding)
Montalcino (Photo ©Tom Hyland)
I will be conducting a memorable Brunello di Montalcino dinner at Vivere Restaurant at The Italian Village in Chicago on Wednesday, September 11. There will be a total of 10 wines, ranging from the current 2008 vintage of Poggio di Sotto to the monumental 1997 Biondi-Santi Riserva. Details follow.
Seating is extremely limited, so if you would like to attend, please contact me right away!
Brunello di Montalcino is of course, one of Italy’s longest-lived and most iconic red wines. Produced in a limited area in southern Tuscany, Brunello di Montalcino is produced exclusively from the Sangiovese grape; aged for several years, the wine is only released into the market in its fifth year.
Alex Pilas, Executive Chef, Eataly, New York City
In mid-July, I was honored to co-teach an Italian wine and food class at Eataly in New York City with Dan Amatuzzi, wine educator for the store. The experience was great and I want to thank everyone at Eataly that assisted in this class.
That’s about all I want to write about myself, as this post is about learning about Italian wine and food the right way. At least that’s my opinion. What do I mean by the right way? I’m referring to enjoying a variety of Italian wines from numerous regions with traditional Italian foods.
Just look at the wines we tried in the class: the special cuvée “Rabochon” (2005 vintage) from the Franciacorta producer Monte Rossa; Vespa Bianco 2011 from Bastianich; Friulano 2007 “Vignecinquant’anni” from Le Vigne di Zamo; Morellino di Scansano 2010 “Le Perazzi” from La Mozza; Dolcetto di Diano d’Alba “La Lepre” 2008 from Fonatanafredda and the Langhe Nebbiolo 2009 from Borgogno.
If you think this wasn’t the typical array of Italian wines you’re likely to taste at a class, you’re right. The wines were chosen for a few reasons, one being that they are all given a writeup in my recently published book Beyond Barolo and Brunello: Italy’s Most Distinctive Wines. In this book, I have endeavored to give the reader a portrait of the true Italian wine scene and not just coverage of the most famous wines from the country.
So notice that there wasn’t a single example of Barolo, Brunello or Amarone, but rather wines that you might come across everyday in Italy. Combine that with some marvelous foods prepared by Eataly’s executive chef Alex Pilas and you have a setting that in some ways brings Italy home. I told the students at the class that they were learning about Italian wine as the Italians do – in a relaxed setting, enjoying a glass of wine with local food.
Pesce crudo (raw fish) was served with the sparkling wine and the two whites; the acidity of these wines were an ideal match for the fish. Various styles of salumi (prosciutto di parma, soppressata) accompanied the Morellino di Scansano and the Dolcetto, while the final course was a mushroom ravioli that was paired with the Langhe Nebbiolo. I absolutely loved this match – and given the comments by the students, so did they – as the earthiness of the mushrooms were in tandem with the similar qualities of the Langhe Nebbiolo, which also happens to offer subtle notes of porcini in the aromas. You just don’t get a pairing that works as beautifully as that one did every day, so complimenti to chef Pilas!
Another note about the Borgogno Langhe Nebbiolo. I wanted to feature this offering, as this is the exact type of Italian wine that does not get the attention it deserves in the well-known consumer wine publications. Yet it is excellent and offers a sense of place – you can tell instantly that this is from Piemonte. What I love about this wine is that this is 100% Nebbiolo – the same as the much more expensive Barolo and has a lot in common with that more famous wine. Indeed, Borgogno produces this wine with Nebbiolo fruit sourced from five local vineyards that are also used by the produced for its various bottlings of Barolo. This is the type of Italian wine that everyone needs to know more about, not only because it displays lovely varietal purity and beautifully represents the land, but it is also a very reasonable alternative, pricewise, to Barolo. You’d be surprised how many of these wines exist in Italy, from Langhe Nebbiolo and Nebbiolo d’Alba in Piemonte to Aglianico in Campania in the south.
Generally, Italian wine classes are often about what I call “trophy” wines; the bottles that are the longest-lived and most renowned wines from the country. I love them, but more often, I seek out the best examples of everyday wines crafted by producers throughout Italy. That’s something I think every wine lover should do, as this will be an exercise in tradition and heritage and not merely a search for the highest scores. The best wines of Italy are meant for consumption with food; they play up to the food and when it’s done right, the total is far more than the sum of the parts.
So I was thrilled to have this experience co-teaching this class to consumers who were eager to learn about pairing Italian wines and foods the right way. Oscar Farinetti, who created Eataly in Torino about a decade ago, as well as Lidia and Joseph Bastianich and Mario Batali, co-proprietors of the New York Eataly, are creating an atmosphere of helping the consumer learn about the pleasures of Italian wine and food in a relaxing, no-nonsense way. Here’s to each of them for their work and here’s to their staff for involving me in this environment.
I can’t wait for Eataly to open up in Chicago later this year, where I hope to be part of more education about Italian wine and food!